"El Amor Brujo: Canción del fuego fátuo" by Manuel de Falla, Grace Bumbry, Deutsches Symphonie-Orchester Berlin, Lorin Maazel was released on January 1, 1966. With El Amor Brujo: Canción del fuego fátuo being less than two minutes long, at 1:48, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 10 out of 20 in De Falla: L'Amour sorcier, Le Tricorne, Nuits dans les jardins d'Espagne by Manuel de Falla, Lorin Maazel, Deutsches Symphonie-Orchester Berlin. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. El Amor Brujo: Canción del fuego fátuo is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of El Amor Brujo: Canción del fuego fátuo by Manuel de Falla, Grace Bumbry, Deutsches Symphonie-Orchester Berlin, Lorin Maazel is Larghissimo, since this song has a tempo of 0 BPM. With that information, we can conclude that the song has a slow tempo.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Verdi: Messa da Requiem - Libera me: VIIa. Libera me, Domine | Giuseppe Verdi, Claudio Abbado, Berliner Philharmoniker | A♭ Major | 2 | 4B | 81 BPM | ||
Gloria: 1. Gloria | Francis Poulenc, Choeur de l'Orchestre de Paris, Orchestre de Paris, Paavo Järvi | B♭ Major | 2 | 6B | 130 BPM | ||
Piano Concerto No. 3, BB 127, Sz. 119: II. Adagio religioso | Béla Bartók, Géza Anda, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay | B Major | 2 | 1B | 150 BPM | ||
Carmina Burana / 3. Cour d'amours: "Tempus est iocundum" | Carl Orff, June Anderson, Bernd Weikl, Chicago Symphony Orchestra, James Levine, Chicago Symphony Chorus, Glen Ellyn Children's Chorus | D Minor | 2 | 7A | 135 BPM | ||
Shéhérazade, M. 41: I. Asie | Maurice Ravel, Anne Sofie von Otter, Cleveland Orchestra, Pierre Boulez | B♭ Major | 3 | 6B | 93 BPM | ||
Eugene Onegin, Op. 24, TH 5 / Act II: "Kuda, kuda, kuda vi udalilis" | Pyotr Ilyich Tchaikovsky, Neil Shicoff, Orchestre de Paris, Semyon Bychkov | E Minor | 1 | 9A | 84 BPM | ||
Prodaná Nevesta (The Bartered Bride): Kdybych se co takového (Should I ever happen to learn) (Act 1) | Bedřich Smetana, Lucia Popp, Munich Radio Orchestra, Stefan Soltesz, Muenchner Rundfunkorchester | D♭ Major | 1 | 3B | 103 BPM | ||
Homenaje. "Le Tombeau de Claude Debussy" | Manuel de Falla, Javier Perianes | A Minor | 0 | 8A | 65 BPM | ||
Shéhérazade: No. 1. Asie | Maurice Ravel, Isabelle Druet, Orchestre National De Lyon, Leonard Slatkin | D♭ Minor | 1 | 12A | 79 BPM | ||
Te Deum, WAB 45: II. Te ergo quaesumus | Anton Bruckner, Bernard Haitink, Bavarian Radio Symphony Orchestra, Krassimira Stoyanova, Yvonne Naef, Christoph Strehl, Günther Groissböck, Bavarian Radio Chorus | F Major | 2 | 7B | 98 BPM |
Section: 0.9608838558197021
End: 0.9644393920898438