"Verdi: Messa da Requiem - Libera me: VIIa. Libera me, Domine" by Giuseppe Verdi, Claudio Abbado, Berliner Philharmoniker was released on November 6, 2001. The duration of Verdi: Messa da Requiem - Libera me: VIIa. Libera me, Domine is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. Verdi: Messa da Requiem - Libera me: VIIa. Libera me, Domine's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Verdi: Messa da Requiem by Giuseppe Verdi, Roberto Alagna, Angela Gheorghiu, Berliner Philharmoniker, Claudio Abbado. The song's track number on the album is #6 out of 21 tracks. Verdi: Messa da Requiem - Libera me: VIIa. Libera me, Domine is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Verdi: Messa da Requiem - Libera me: VIIa. Libera me, Domine by Giuseppe Verdi, Claudio Abbado, Berliner Philharmoniker has a tempo of 81 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Verdi: Messa da Requiem - Libera me: VIIa. Libera me, Domine being at 81 BPM, the half-time would be 40 BPM with a double-time of 162 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La traviata / Act I: "Si ridesta in ciel l'aurora" | Giuseppe Verdi, Stefania Malagu, Walter Gullino, Bruno Grella, Giovanni Foiani, Alfredo Giacomotti, Chor der Bayerischen Staatsoper München, Bavarian State Orchestra, Carlos Kleiber | A♭ Major | 4 | 4B | 91 BPM | ||
Rigoletto / Act 3: Della vendetta alfin giunge l'istante | Giuseppe Verdi, Plácido Domingo, Piero Cappuccilli, Nicolai Ghiaurov, Wiener Philharmoniker, Carlo Maria Giulini | B Major | 0 | 1B | 80 BPM | ||
Bizet: Carmen, Act 1: "Près des remparts de Séville" (Carmen, Don José) | Georges Bizet, Sir Simon Rattle, Berliner Philharmoniker, Jonas Kaufmann, Magdalena Kozená | F♯ Minor | 0 | 11A | 83 BPM | ||
Beethoven: Fantasy in C Minor, Op. 80, 'Choral Fantasia': II. Allegretto, ma non troppo - Presto | Ludwig van Beethoven, Chor der Deutschen Staatsoper/Berliner Philharmoniker/Daniel Barenboim, Daniel Barenboim, Berliner Philharmoniker | C Major | 3 | 8B | 81 BPM | ||
Pelléas et Mélisande, CD 93, Act II: Oui, c'est ici, nous y sommes | Claude Debussy, Francois Le Roux, Maria Ewing, Wiener Philharmoniker, Claudio Abbado | B♭ Major | 0 | 6B | 88 BPM | ||
Werther: "Pourquoi me réveiller, ô souffle du printemps?" | Jules Massenet, Luciano Pavarotti, National Philharmonic Orchestra, Oliviero de Fabritiis | F♯ Minor | 2 | 11A | 156 BPM | ||
Carmen, Act III, No.19 Sextuor et Choeur: Notre métier est bien (Carmen/Don José/Frasquita/Mercédès/Le Dancaïro/Le Remendado/Bohémiens et Bohémiennes) | Georges Bizet, Angela Gheorghiu, Michel Plasson, Orchestre National Du Capitole De Toulouse | E♭ Major | 2 | 5B | 79 BPM | ||
Les Contes d'Hoffmann (2003 - Remaster), Act II: Les oiseaux dans la charmille :Chanson de la poupéee (Olympia/Chorus) | Jacques Offenbach, Gianna d' Angelo/Choeurs René Duclos/Orchestre de la Société des Concerts du Conservatoire/André Cluytens, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire | A♭ Major | 1 | 4B | 103 BPM | ||
Les nuits d'été, Op. 7: 2. Le spectre de la rose | Hector Berlioz, Anne Sofie von Otter, Berliner Philharmoniker, James Levine | B Major | 1 | 1B | 73 BPM | ||
Tristan und Isolde (1988 Digital Remaster), Act III, Scene III: Mild und leise wie er lächelt (Isoldes Liebestod) | Helga Dernesch, Berliner Philharmoniker, Herbert von Karajan | B Major | 2 | 1B | 176 BPM |
Section: 0.7451322078704834
End: 0.7486944198608398