Ludwig van Beethoven, Chor der Deutschen Staatsoper/Berliner Philharmoniker/Daniel Barenboim, Daniel Barenboim, Berliner Philharmoniker's 'Beethoven: Fantasy in C Minor, Op. 80, 'Choral Fantasia': II. Allegretto, ma non troppo - Presto' came out on 1995. With this song being around four minutes long, at 4:06, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 9 out of 9 in Beethoven: Triple Concerto & Choral Fantasy by Ludwig van Beethoven, Itzhak Perlman. Beethoven: Fantasy in C Minor, Op. 80, 'Choral Fantasia': II. Allegretto, ma non troppo - Presto is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Beethoven: Fantasy in C Minor, Op. 80, 'Choral Fantasia': II. Allegretto, ma non troppo - Presto by Ludwig van Beethoven, Chor der Deutschen Staatsoper/Berliner Philharmoniker/Daniel Barenboim, Daniel Barenboim, Berliner Philharmoniker is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mass In C, Op. 86: 1. Kyrie | Ludwig van Beethoven, Felicity Palmer, Helen Watts, Robert Tear, Christopher Keyte, Academy of St. Martin in the Fields, Stephen Cleobury, George Guest | E Major | 1 | 12B | 112 BPM | ||
Messa da Requiem: VII. Libera me | Giuseppe Verdi, Mirella Freni, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan | C Minor | 2 | 5A | 98 BPM | ||
Beethoven: Mass in C Major, Op. 86: II. Gloria (Allegro con brio - Andante mosso) | Ludwig van Beethoven, Sir Thomas Beecham, Royal Philharmonic Orchestra | E♭ Major | 1 | 5B | 116 BPM | ||
Symphony No.3 In F, Op.90: 1. Allegro con brio - Un poco sostenuto - Tempo I | Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan | F Minor | 1 | 4A | 62 BPM | ||
Haydn: Mass in D Minor, Hob. XXII:11 "Nelson Mass": Kyrie | Joseph Haydn, Sir Neville Marriner, Hansjürgen Scholze, Margaret Marshall, MDR Leipzig Radio Chorus, Staatskapelle Dresden | G Minor | 3 | 6A | 115 BPM | ||
Messa di Requiem: Sanctus | Giuseppe Verdi, Angela Gheorghiu, Claudio Abbado, Berliner Philharmoniker | F Major | 2 | 7B | 114 BPM | ||
Samson et Dalila, Op. 47, R. 288 / Act 3: Bacchanale | Camille Saint-Saëns, Orchestre de Paris, Daniel Barenboim | B Major | 3 | 1B | 94 BPM | ||
Verklarte Nacht, Op. 9 | Oskar Fried, Katharina Kammerloher, Stephan Rügamer, Berlin Radio Symphony Orchestra, Matthias Foremny | E♭ Minor | 2 | 2A | 82 BPM | ||
Paulus: I. Teil: Nr. 1 Chor "Herr, der du bist der Gott" | Felix Mendelssohn, Collegium Vocale Gent, La Chapelle Royale, Orchestre des Champs-Élysées, Philippe Herreweghe | D♭ Major | 3 | 3B | 112 BPM | ||
La gara degli dei: No. 2, "Qui raccolti eterni dei" | Carola Hohn, Carl Philipp Emanuel Bach Chamber Orchestra, Hartmut Haenchen | G Major | 1 | 9B | 93 BPM |
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