- BPM
- 67
- Key
- B♭ Major
- Camelot
- 6B
La Sonnambula, Act II, Scene 2: Lasciami: Avver compreso assai dovresti (Lisa/Alessio/Coro) - Vincenzo Bellini, Evelino Pidò/Jaël Azzaretti/Paul Gay/Orchestre de l'Opéra National de Lyon/Choeurs de l'Opéra National de Lyon, Evelino Pidò, Orchestre De L'Opéra National De Lyon Information
- Acousticness
- 91%
- Danceability
- 34%
- Energy
- 20%
- Instrumentalness
- 0%
- Liveness
- 12%
- Loudness
- 73%
- Speechiness
- 12%
- Valence
- 16%
- Popularity
- 1%
- Loudness
- -15.921 dB
Summary
"La Sonnambula, Act II, Scene 2: Lasciami: Avver compreso assai dovresti (Lisa/Alessio/Coro)" by Vincenzo Bellini, Evelino Pidò/Jaël Azzaretti/Paul Gay/Orchestre de l'Opéra National de Lyon/Choeurs de l'Opéra National de Lyon, Evelino Pidò, Orchestre De L'Opéra National De Lyon was released on November 5, 2007. The duration of La Sonnambula, Act II, Scene 2: Lasciami: Avver compreso assai dovresti (Lisa/Alessio/Coro) is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. La Sonnambula, Act II, Scene 2: Lasciami: Avver compreso assai dovresti (Lisa/Alessio/Coro)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 6 out of 35 in Bellini La Sonnambula by Vincenzo Bellini, Natalie Dessay, Evelino Pidò, Orchestre De L'Opéra National De Lyon. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. La Sonnambula, Act II, Scene 2: Lasciami: Avver compreso assai dovresti (Lisa/Alessio/Coro) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
La Sonnambula, Act II, Scene 2: Lasciami: Avver compreso assai dovresti (Lisa/Alessio/Coro) BPM
The tempo marking of La Sonnambula, Act II, Scene 2: Lasciami: Avver compreso assai dovresti (Lisa/Alessio/Coro) by Vincenzo Bellini, Evelino Pidò/Jaël Azzaretti/Paul Gay/Orchestre de l'Opéra National de Lyon/Choeurs de l'Opéra National de Lyon, Evelino Pidò, Orchestre De L'Opéra National De Lyon is Adagio (slowly with great expression), since this song has a tempo of 67 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
La Sonnambula, Act II, Scene 2: Lasciami: Avver compreso assai dovresti (Lisa/Alessio/Coro) Key
The music key of this track is B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Delibes: Lakmé, Act 2: "Où va la jeune hindoue" (Lakmé) | Léo Delibes, Alain Lombard, Mady Mesple, Orchestre du Theatre National de IOpera-Comique | E Minor | 1 | 9A | 70 BPM | |
 | La straniera: Act II: Sono all'ara … (Alaide) | Vincenzo Bellini, Renata Scotto, Elena Zilio, Enrico Campi, Renato Cioni, Domenico Trimarchi, Maurizio Mazzieri, Glauco Scarlini, Palermo Teatro Massimo Chorus, Palermo Orchestra Sinfonica del Teatro Massimo, Nino Sanzogno | E♭ Major | 3 | 5B | 81 BPM | |
 | Donizetti: L'elisir d'amore, Act 2: "Una furtiva lagrima" (Nemorino) | Gaetano Donizetti, Marcello Viotti, English Chamber Orchestra, Roberto Alagna | A♭ Major | 0 | 4B | 181 BPM | |
 | Rossini: La cenerentola, Act 2: "Nacqui all'affanno e al pianto.....Non più mesta" (Angelina) | Gioachino Rossini, Maria Callas, Nicola Rescigno, Orchestre De La Société Des Concerts Du Conservatoire | E Major | 1 | 12B | 122 BPM | |
 | Adriana Lecouvreur / Act 1: "Ecco: respiro appena ... Io son l'umile ancella" | Francesco Cilea, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | A♭ Major | 1 | 4B | 82 BPM | |
 | Bizet: Carmen, WD 31, Act 4 Scene 2: No. 27, Duo, "C'est toi! C'est moi!" - No. 28, Choeur final, "Viva viva! La course est belle!" (Carmen, Don José, Chorus) | Georges Bizet, Maria Callas, Nicolai Gedda, Choeurs Rene Duclos, Choeurs D'Enfants Jean Pesneaud, Orchestre de l'Opéra National de Paris, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Paris Opera Orchestra | D♭ Major | 2 | 3B | 119 BPM | |
 | Puccini: La rondine, Act 1: "Chi il bel sogno di Doretta" (Magda, Yvette, Bianca, Prunier, Lisette, Suzy, Rambaldo, Périchaud, Gobin, Crébillon) | Giacomo Puccini, Angela Gheorghiu, Antonio Pappano, London Symphony Orchestra | B♭ Minor | 8 | 3A | 126 BPM | |
 | Les Contes d'Hoffmann (1989 Digital Remaster), Act I: Chanson et scène: Va pour Kleinzach! (Légende de Kleinzach: Hoffmann/Choeurs/Nathanaël) | Jacques Offenbach, Nicolai Gedda, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire | D Minor | 0 | 7A | 106 BPM | |
 | Faust, CG 4 / Act 3: "Salut! demeure chaste et pure" | Charles Gounod, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume | A♭ Major | 2 | 4B | 109 BPM | |
 | I Puritani / Act 1: Son vergin vezzosa | Vincenzo Bellini, Dame Joan Sutherland, Margreta Elkins, Pierre Duval, Giovanni Foiani, Ezio Flagello, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Richard Bonynge | B♭ Major | 1 | 6B | 105 BPM |
- ISRC
- GBAYC0702319
- Label
- L-M Records/RCA Records
Section: 0.6703526973724365
End: 0.6768746376037598