La straniera: Act II: Sono all'ara … (Alaide)
Vincenzo Bellini, Renata Scotto, Elena Zilio, Enrico Campi, Renato Cioni, Domenico Trimarchi, Maurizio Mazzieri, Glauco Scarlini, Palermo Teatro Massimo Chorus, Palermo Orchestra Sinfonica del Teatro Massimo, Nino Sanzogno
Bellini, V.: Operas (Complete)
4:26 January 1, 2008
BPM
81
Key
E♭ Major
Camelot
5B

Embed

Share Link

La straniera: Act II: Sono all'ara … (Alaide) - Vincenzo Bellini, Renata Scotto, Elena Zilio, Enrico Campi, Renato Cioni, Domenico Trimarchi, Maurizio Mazzieri, Glauco Scarlini, Palermo Teatro Massimo Chorus, Palermo Orchestra Sinfonica del Teatro Massimo, Nino Sanzogno Information

Acousticness
98%
Danceability
18%
Energy
26%
Instrumentalness
2%
Liveness
12%
Loudness
75%
Speechiness
4%
Valence
12%
Popularity
Loudness
-14.879 dB

Summary

"La straniera: Act II: Sono all'ara … (Alaide)" by Vincenzo Bellini, Renata Scotto, Elena Zilio, Enrico Campi, Renato Cioni, Domenico Trimarchi, Maurizio Mazzieri, Glauco Scarlini, Palermo Teatro Massimo Chorus, Palermo Orchestra Sinfonica del Teatro Massimo, Nino Sanzogno was released on January 1, 2008. With this song being around four minutes long, at 4:26, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 13 out of 463 in Bellini, V.: Operas (Complete) by Vincenzo Bellini, Various Artists, Andrea Licata, Marcello Viotti, Nino Sanzogno, Paolo Olmi, Luciano Acocella, Giuliano Carella, Paolo Arrivabeni, Fabio Luisi, Richard Bonynge, Leonard Bernstein, Georges Prêtre. Going off of the ISRC code of this track, we detected that the origin of this track is from Italy. La straniera: Act II: Sono all'ara … (Alaide) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

La straniera: Act II: Sono all'ara … (Alaide) BPM

The tempo marking of La straniera: Act II: Sono all'ara … (Alaide) by Vincenzo Bellini, Renata Scotto, Elena Zilio, Enrico Campi, Renato Cioni, Domenico Trimarchi, Maurizio Mazzieri, Glauco Scarlini, Palermo Teatro Massimo Chorus, Palermo Orchestra Sinfonica del Teatro Massimo, Nino Sanzogno is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

La straniera: Act II: Sono all'ara … (Alaide) Key

The music key of this track is E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Le Comte Ory, Act I, Scene VIII, No. 4: En proie à la tristesse... Vous que l'on dit sensible... Céleste providence by Gioachino Rossini, Pretty Yende, Marco ArmiliatoLe Comte Ory, Act I, Scene VIII, No. 4: En proie à la tristesse... Vous que l'on dit sensible... Céleste providenceGioachino Rossini, Pretty Yende, Marco ArmiliatoE♭ Major25B88 BPM
Rigoletto / Act 1: Rigoletto / Act 1: "Gualtier Maldè...Caro nome"Giuseppe Verdi, Dame Joan Sutherland, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Francesco Molinari-PradelliE Major012B85 BPM
Rinaldo / Act 2: Lascia ch'io pianga by George Frideric Handel, Cecilia Bartoli, Academy of Ancient Music, Christopher HogwoodRinaldo / Act 2: Lascia ch'io piangaGeorge Frideric Handel, Cecilia Bartoli, Academy of Ancient Music, Christopher HogwoodE Major112B176 BPM
Les Contes d'Hoffmann / Act 4: Les Contes d'Hoffmann / Act 4: "Belle nuit, ô nuit d'amour"Jacques Offenbach, Edita Gruberova, Claudia Eder, Orchestre National De France, Seiji Ozawa, Choeurs de Radio FranceD Major110B101 BPM
Don Pasquale, Act I Terza Scena: Sogno soave e casto (Ernesto/Pasquale) by Gaetano Donizetti, Gösta Winbergh, Sesto Bruscantini, Philharmonia Orchestra, Riccardo MutiDon Pasquale, Act I Terza Scena: Sogno soave e casto (Ernesto/Pasquale)Gaetano Donizetti, Gösta Winbergh, Sesto Bruscantini, Philharmonia Orchestra, Riccardo MutiA♭ Major14B71 BPM
La Sonnanbula - Prendi, l'anel ti dono by Vincenzo Bellini, Roberto Alagna, Evelino Pidò, London Philharmonic OrchestraLa Sonnanbula - Prendi, l'anel ti donoVincenzo Bellini, Roberto Alagna, Evelino Pidò, London Philharmonic OrchestraA♭ Major14B82 BPM
Don Giovanni, ossia Il dissoluto punito, K.527 / Act 1: Don Giovanni, ossia Il dissoluto punito, K.527 / Act 1: "Là ci darem la mano"Wolfgang Amadeus Mozart, Ildebrando D'Arcangelo, Mojca Erdmann, Mahler Chamber Orchestra, Yannick Nézet-SéguinB Minor910A180 BPM
Catalani: La Wally, Act 1: Catalani: La Wally, Act 1: "Ebben? ... Ne andrò lontana" (La Wally)Alfredo Catalani, Barbara Hendricks, Paavo Järvi, Orchestre Philharmonique de Radio FranceE Major212B86 BPM
La Cenerentola: Overture (Sinfonia) by Gioachino Rossini, Orchestra del Teatro Comunale di Bologna, Riccardo ChaillyLa Cenerentola: Overture (Sinfonia)Gioachino Rossini, Orchestra del Teatro Comunale di Bologna, Riccardo ChaillyA Minor18A116 BPM
Carmina Burana / 3. Cour d'amours: Carmina Burana / 3. Cour d'amours: "In trutina"Carl Orff, Barbara Bonney, Wiener Philharmoniker, André PrevinB♭ Major26B137 BPM
ISRC
ITN320852155
Label
L-M Records/RCA Records

Section: 0.6950969696044922

End: 0.6982145309448242