"Don Pasquale, Act I Terza Scena: Sogno soave e casto (Ernesto/Pasquale)" by Gaetano Donizetti, Gösta Winbergh, Sesto Bruscantini, Philharmonia Orchestra, Riccardo Muti was released on 1984. The duration of Don Pasquale, Act I Terza Scena: Sogno soave e casto (Ernesto/Pasquale) is about two minutes long, specifically at 2:29. This song does not appear to have any foul language. Don Pasquale, Act I Terza Scena: Sogno soave e casto (Ernesto/Pasquale)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 45 in Donizetti: Don Pasquale by Gaetano Donizetti, Riccardo Muti. Don Pasquale, Act I Terza Scena: Sogno soave e casto (Ernesto/Pasquale) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Don Pasquale, Act I Terza Scena: Sogno soave e casto (Ernesto/Pasquale) by Gaetano Donizetti, Gösta Winbergh, Sesto Bruscantini, Philharmonia Orchestra, Riccardo Muti is Adagio (slowly with great expression), since this song has a tempo of 71 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto in C (1773): 2. Larghetto | Antonio Salieri, Pietro Spada, Philharmonia Orchestra | A Minor | 0 | 8A | 68 BPM | ||
Symphony No. 9 in D Minor, Op. 125 "Choral": IV. Finale (Excerpt: Ode to Joy) | Ludwig van Beethoven, Riccardo Muti, Philadelphia Orchestra | D Major | 5 | 10B | 78 BPM | ||
Eugene Onegin, Op. 24, TH. 5 / Act II: "A, vot oni!" | Pyotr Ilyich Tchaikovsky, Neil Shicoff, Thomas Allen, Gunter Emmerlich, Staatskapelle Dresden, James Levine | E Minor | 2 | 9A | 78 BPM | ||
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio (Excerpt) | Max Bruch, Yehudi Menuhin, Philharmonia Orchestra, Walter Susskind | E♭ Major | 1 | 5B | 105 BPM | ||
Vier letzte Lieder, TrV 296: 2. September | Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur | D Major | 1 | 10B | 153 BPM | ||
LUCIA DI LAMMERMOOR · Oper in zwei Teilen · Arien und Szene in deutscher Sprache, Zweiter Teil, Erster Akt, erste Szene: - Komm näher, Lucia (Henry) | Gaetano Donizetti, Salvatore Cammarano, Walter Scott, Josef Metternich/Berliner Symphoniker/Wilhelm Schüchter, Wilhelm Schuechter, Wilhelm Schüchter, Berliner Symphoniker | B♭ Minor | 1 | 3A | 178 BPM | ||
Parsifal, WWV 111 / Act I: He! Ho! Waldhüter ihr | Richard Wagner, Marjon Lambriks, Dunja Vejzovic, Anne Gjevang, Claes-Håkon Ahnsjö, Kurt Moll, Kurt Rydl, Berliner Philharmoniker, Herbert von Karajan | G Major | 2 | 9B | 128 BPM | ||
Mefistofele / Act III: "L'altra notte in fondo al mare" | Arrigo Boito, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | C Major | 0 | 8B | 78 BPM | ||
Tosca / Act 1: "Ah, quegli occhi..." - "Qual occhio al mondo può star di paro" | Giacomo Puccini, Mirella Freni, Plácido Domingo, Philharmonia Orchestra, Giuseppe Sinopoli | C Minor | 2 | 5A | 90 BPM | ||
E' Strano... Follie... Sempre Libera - la Traviata Atto I | Renata Tebaldi | C Major | 2 | 8B | 74 BPM |
Section: 0.989661693572998
End: 0.9928891658782959