Stabat Mater: 10. Amen
Gioachino Rossini, Philharmonia Orchestra, Carlo Maria Giulini, Philharmonia Chorus, Heinz Mende, Roberto Benaglio
Rossini: Stabat Mater
5:58 January 1, 1982
BPM
131
Key
G Minor
Camelot
6A

Embed

Share Link

Stabat Mater: 10. Amen - Gioachino Rossini, Philharmonia Orchestra, Carlo Maria Giulini, Philharmonia Chorus, Heinz Mende, Roberto Benaglio Information

Acousticness
98%
Danceability
21%
Energy
30%
Instrumentalness
95%
Liveness
26%
Loudness
72%
Speechiness
4%
Valence
13%
Popularity
Loudness
-17.004 dB

Summary

"Stabat Mater: 10. Amen" by Gioachino Rossini, Philharmonia Orchestra, Carlo Maria Giulini, Philharmonia Chorus, Heinz Mende, Roberto Benaglio was released on January 1, 1982. Stabat Mater: 10. Amen is about six minutes long, preciously at 5:58, making this song fairly long compared to other songs. There are a total of 10 in the song's album "Rossini: Stabat Mater". In this album, this song's track order is #10. Furthermore, we believe that the track originated from Germany. Based on our statistics, Stabat Mater: 10. Amen's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Stabat Mater: 10. Amen BPM

With Stabat Mater: 10. Amen by Gioachino Rossini, Philharmonia Orchestra, Carlo Maria Giulini, Philharmonia Chorus, Heinz Mende, Roberto Benaglio having a BPM of 131 with a half-time of 66 BPM and a double-time of 262 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.

Stabat Mater: 10. Amen Key

This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Paride ed Elena / Act 1: Paride ed Elena / Act 1: "O del mio dolce ardor"Christoph Willibald Gluck, Anne Sofie von Otter, Paul Goodwin, The English Concert, Trevor PinnockE Minor19A133 BPM
Una voce poco fa from Il Barbiere di Siviglia, '(The) Barber of Seville' by Maria Callas, Philharmonia Orchestra, Tullio SerafinUna voce poco fa from Il Barbiere di Siviglia, '(The) Barber of Seville'Maria Callas, Philharmonia Orchestra, Tullio SerafinE Major112B136 BPM
Variations on an Original Theme, Op. 36 Variations on an Original Theme, Op. 36 "Enigma": 9. Nimrod (Adagio)Edward Elgar, Philharmonia Orchestra, Giuseppe SinopoliE♭ Major15B66 BPM
Tannhäuser - Paris Version / Act 3: Tannhäuser - Paris Version / Act 3: "Beglückt darf nun dich, o Heimat" (Pilgrims Chorus)Richard Wagner, Chorus of the Royal Opera House, Covent Garden, Norbert Balatsch, Philharmonia Orchestra, Giuseppe SinopoliE♭ Major15B71 BPM
Symphony No. 2 in C Minor Symphony No. 2 in C Minor "Resurrection": IV. Urlicht. Sehr feierlich, aber schlichtGustav Mahler, Lorin Maazel, Wiener PhilharmonikerB♭ Major26B130 BPM
Orfeo ed Euridice / Act 3: Aria: Orfeo ed Euridice / Act 3: Aria: "Che farò senza Euridice?"Christoph Willibald Gluck, Marilyn Horne, Orchestra of the Royal Opera House, Covent Garden, Sir Georg SoltiC Major28B106 BPM
Lohengrin, WWV 75 / Act III: Lohengrin, WWV 75 / Act III: "In fernem Land, unnahbar euren Schritten"Richard Wagner, Siegfried Jerusalem, Kurt Moll, Vienna State Opera Chorus, Wiener Philharmoniker, Claudio AbbadoD Major110B94 BPM
Orfeo ed Euridice: Act II, Scene 1, Orfeo: Mille pene, ombre moleste by Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester, RIAS Kammerchor, Bernarda FinkOrfeo ed Euridice: Act II, Scene 1, Orfeo: Mille pene, ombre molesteChristoph Willibald Gluck, René Jacobs, Freiburger Barockorchester, RIAS Kammerchor, Bernarda FinkF Minor04A81 BPM
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio (Excerpt) by Max Bruch, Yehudi Menuhin, Philharmonia Orchestra, Walter SusskindBruch: Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio (Excerpt)Max Bruch, Yehudi Menuhin, Philharmonia Orchestra, Walter SusskindE♭ Major15B105 BPM
Symphony of Psalms: III. Psalm 150 (entire) by Igor Stravinsky, Simon Joly Chorale, Philharmonia Orchestra, Robert CraftSymphony of Psalms: III. Psalm 150 (entire)Igor Stravinsky, Simon Joly Chorale, Philharmonia Orchestra, Robert CraftB♭ Major06B109 BPM
ISRC
DEF058230010
Label
L-M Records/RCA Records

Section: 0.705103874206543

End: 0.7097928524017334