Franz Schubert, Bernarda Fink, Gerold Huber's 'An die Musik, D. 547' came out on September 2, 2008. The duration of An die Musik, D. 547 is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. An die Musik, D. 547's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 25 in the song's album "Schubert: Lieder". In this album, this song's track order is #2. Furthermore, we believe that the track originated from France. Based on our statistics, An die Musik, D. 547's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With An die Musik, D. 547 by Franz Schubert, Bernarda Fink, Gerold Huber having a BPM of 133 with a half-time of 66 BPM and a double-time of 266 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Verborgenheit | Hugo Wolf, Jonas Kaufmann, Helmut Deutsch | E♭ Major | 1 | 5B | 121 BPM | ||
7 Canciones Populares Españolas: Canción | Teresa Berganza, Juan Antonio Alvares Parejo | G Major | 0 | 9B | 94 BPM | ||
Symphony No. 2, Op. 52, "Lobgesang": II. Chor: Alles, was Odem hat, lobe den Herrn / Sopran solo: Lobe den Herrn, meine Seele | Felix Mendelssohn, Tonhalle-Orchester Zürich, Paavo Järvi, Zürcher Sing-Akademie, Florian Helgath, Chen Reiss | E Major | 1 | 12B | 72 BPM | ||
Chanson triste (version for voice and piano) | Henri Duparc, Paul Groves, Roger Vignoles | E♭ Major | 1 | 5B | 87 BPM | ||
Rückert Lieder: II. Ich atmet' einen linden Duft | Gustav Mahler, Dietrich Fischer-Dieskau, Berliner Philharmoniker, Karl Böhm | D Major | 0 | 10B | 84 BPM | ||
Adelaïde, Op. 46 | Ludwig van Beethoven, Fritz Wunderlich, Hubert Giesen | B♭ Major | 1 | 6B | 76 BPM | ||
Mendelssohn: 5 Lieder, Op. 10: No. 3 Abendbild | Fanny Mendelssohn, Emmanuel Pahud, Eric Le Sage | A Major | 1 | 11B | 104 BPM | ||
Liebeslieder-Walzer, Op. 52: No. 10, O wie sanft die Quelle sich | Johannes Brahms, RIAS Kammerchor, Justin Doyle, Angela Gassenhuber, Philip Mayers | C Major | 0 | 8B | 177 BPM | ||
Don Quichotte à Dulcinée: Chanson à boire | Maurice Ravel, Paul Morand, Philippe Sly, Michael McMahon | C Major | 2 | 8B | 73 BPM | ||
Le Charme, Op. 2, No. 2 | Ernest Chausson, Jan DeGaetani, Gilbert Kalish | E♭ Major | 0 | 5B | 81 BPM |
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