Fanny Mendelssohn, Emmanuel Pahud, Eric Le Sage made "Mendelssohn: 5 Lieder, Op. 10: No. 3 Abendbild" available on May 5, 2023. The duration of Mendelssohn: 5 Lieder, Op. 10: No. 3 Abendbild is about two minutes long, specifically at 2:10. This song does not appear to have any foul language. Mendelssohn: 5 Lieder, Op. 10: No. 3 Abendbild's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 18 in the song's album "Romances". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Mendelssohn: 5 Lieder, Op. 10: No. 3 Abendbild is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Mendelssohn: 5 Lieder, Op. 10: No. 3 Abendbild by Fanny Mendelssohn, Emmanuel Pahud, Eric Le Sage having a BPM of 104 with a half-time of 52 BPM and a double-time of 208 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tales of a Small Flute for Piccolo & Piano: I. Volne (Andante) | Vítězslava Kaprálová, Haika Lübcke, Hendrik Heilmann | E Major | 0 | 12B | 96 BPM | ||
Marchenbilder (Fairy Tales), Op. 113: I. Nicht schnell | Robert Schumann, Antoine Tamestit, Eric Le Sage | E♭ Major | 1 | 5B | 111 BPM | ||
Suite De Trois Morceaux, Op. 116 | Benjamin Godard, Samuel Sanders, Paula Robison | G Major | 1 | 9B | 82 BPM | ||
Dutilleux: Sonatine for Flute and Piano: II. Andante espressivo - | Henri Dutilleux, Emmanuel Pahud, Eric Le Sage | B♭ Minor | 1 | 3A | 88 BPM | ||
Mozart: Concerto for Flute and Harp in C Major, K. 299: II. Andantino | Wolfgang Amadeus Mozart, Emmanuel Pahud, Marie-Pierre Langlamet, Berliner Philharmoniker, Claudio Abbado | F Major | 0 | 7B | 106 BPM | ||
Septet in E-Flat Major, Op. 65: I. Préambule. Allegro moderato – Più allegro | Camille Saint-Saëns, Nash Ensemble | F Minor | 0 | 4A | 96 BPM | ||
Masques, L. 110 (Arr. For Cello And Piano By Olivier Hébert-Bouchard) | Claude Debussy, Stéphane Tétreault, Olivier Hébert-Bouchard | A♭ Major | 0 | 4B | 170 BPM | ||
Piano Concerto in B Minor, Op. 3: III. Scherzo. Molto vivace | Moritz Moszkowski, BBC Scottish Symphony Orchestra, Ludmil Angelov, Vladimir Kiradjiev | B Major | 1 | 1B | 82 BPM | ||
Piano Quartet in E-Flat Major, Op. 47: IV. Finale: Vivace | Robert Schumann, Gordan Nikolitch, Lise Bertaud, François Salque, Eric Le Sage | E♭ Major | 1 | 5B | 142 BPM | ||
Prokofiev: Flute Sonata No. 2 in D Major, Op. 94: III. Andante | Sergei Prokofiev, Emmanuel Pahud | A Major | 1 | 11B | 86 BPM |
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