"Prokofiev: Flute Sonata No. 2 in D Major, Op. 94: III. Andante" by Sergei Prokofiev, Emmanuel Pahud was released on April 1, 2000. With this song being around four minutes long, at 3:55, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 15 in the song's album "Pahud plays Debussy, Ravel & Prokofiev". In this album, this song's track order is #14. Furthermore, we believe that the track originated from United Kingdom. Prokofiev: Flute Sonata No. 2 in D Major, Op. 94: III. Andante is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Prokofiev: Flute Sonata No. 2 in D Major, Op. 94: III. Andante by Sergei Prokofiev, Emmanuel Pahud having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Schoenberg: Verklärte Nacht, Op. 4: III. A tempo | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | B♭ Minor | 1 | 3A | 86 BPM | ||
Violin Concerto in D Major: III. Aria II | Igor Stravinsky, Sir Neville Marriner, Academy of St. Martin in the Fields, Hilary Hahn | G Major | 1 | 9B | 84 BPM | ||
Violin Concerto No. 2 In G Minor, Op. 63: 2. Andante assai | Sergei Prokofiev, Gil Shaham, André Previn, London Symphony Orchestra | G Major | 1 | 9B | 64 BPM | ||
Concerto for Viola & Orchestra: I. Andante comodo | William Walton, Yuri Bashmet, André Previn | D Minor | 0 | 7A | 87 BPM | ||
Prokofiev: Suite No. 2 from Romeo and Juliet, Op. 64ter: II. The Young Juliet | Sergei Prokofiev, Aziz Shokhakimov, Orchestre Philharmonique De Strasbourg | C Major | 2 | 8B | 72 BPM | ||
Poulenc: Flute Sonata, FP 164: I. Allegro malinconico | Francis Poulenc, Emmanuel Pahud, Eric Le Sage | C Major | 0 | 8B | 79 BPM | ||
Piano Quartet In E Flat, Op.87, B. 162: 3. Allegro moderato,grazioso | Antonín Dvořák, Menahem Pressler, Emerson String Quartet | E♭ Major | 1 | 5B | 60 BPM | ||
Mendelssohn: 5 Lieder, Op. 10: No. 3 Abendbild | Fanny Mendelssohn, Emmanuel Pahud, Eric Le Sage | A Major | 1 | 11B | 104 BPM | ||
Symphony No. 1, Op. 25 in D "Classical": Allegro con brio | Sergei Prokofiev, Yuri Temirkanov | E Minor | 0 | 9A | 99 BPM | ||
Mendelssohn: 6 Lieder, Op. 1: No. 3 Warum sind denn die Rosen so blass | Fanny Mendelssohn, Emmanuel Pahud, Eric Le Sage | A Minor | 1 | 8A | 93 BPM |
Section: 0.5548653602600098
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