- BPM
- 87
- Key
- D Minor
- Camelot
- 7A
Concerto for Viola & Orchestra: I. Andante comodo - William Walton, Yuri Bashmet, André Previn Information
- Acousticness
- 96%
- Danceability
- 13%
- Energy
- 4%
- Instrumentalness
- 65%
- Liveness
- 9%
- Loudness
- 49%
- Speechiness
- 4%
- Valence
- 6%
- Popularity
- 20%
- Loudness
- -30.472 dB
Summary
"Concerto for Viola & Orchestra: I. Andante comodo" by William Walton, Yuri Bashmet, André Previn was released on January 1, 1990. Since Concerto for Viola & Orchestra: I. Andante comodo is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Walton: Viola Concerto / Bruch: Concerto for Violin & Viola by Yuri Bashmet. The song's track number on the album is #1 out of 8 tracks. Concerto for Viola & Orchestra: I. Andante comodo is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Concerto for Viola & Orchestra: I. Andante comodo BPM
Since Concerto for Viola & Orchestra: I. Andante comodo by William Walton, Yuri Bashmet, André Previn has a tempo of 87 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Concerto for Viola & Orchestra: I. Andante comodo being at 87 BPM, the half-time would be 44 BPM with a double-time of 174 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
Concerto for Viola & Orchestra: I. Andante comodo Key
The music key of this track is D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Sancan: Sonatine for Flute and Piano: III. Animé | Pierre Sancan, Emmanuel Pahud | G Major | 1 | 9B | 97 BPM | |
 | Valses nobles et sentimentales, M.61: 5. Presque lent - dans un sentiment intime | Maurice Ravel, Cleveland Orchestra, Pierre Boulez | A♭ Minor | 0 | 1A | 76 BPM | |
 | Violin Concerto No.1 in G minor, Op.26: 3. Finale (Allegro energico) | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields, Sir Neville Marriner | G Major | 2 | 9B | 91 BPM | |
 | Symphony No. 2: II. Allegro molto | Sergei Rachmaninoff, Valery Gergiev, London Symphony Orchestra | F Major | 1 | 7B | 146 BPM | |
 | Crown Imperial: A Coronation March | William Walton, BBC Concert Orchestra, Barry Wordsworth | C Major | 4 | 8B | 121 BPM | |
 | Piano Concerto No. 1 in E-Flat Major, S. 124: 3. Allegro marziale animato | Franz Liszt, Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa | E♭ Major | 3 | 5B | 71 BPM | |
 | Nocturnes, L. 91: 2. Fêtes | Claude Debussy, Berliner Philharmoniker, Claudio Abbado | A Major | 2 | 11B | 79 BPM | |
 | Prélude à l'après-midi d'un faune, L. 86 | Claude Debussy, Los Angeles Philharmonic, Janet Ferguson, André Previn | G Major | 1 | 9B | 125 BPM | |
 | Also sprach Zarathustra, Op. 30, TrV 176: Von der großen Sehnsucht | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | G Major | 1 | 9B | 105 BPM | |
 | Le tombeau de Couperin, M. 68: III. Menuet | Maurice Ravel, Cleveland Orchestra, Pierre Boulez | G Major | 0 | 9B | 84 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 1.2205913066864014
End: 1.2251522541046143