"Le Charme, Op. 2, No. 2" by Ernest Chausson, Jan DeGaetani, Gilbert Kalish was released on August 5, 2008. With Le Charme, Op. 2, No. 2 being less than two minutes long, at 1:42, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 2 out of 20 in French Songs: Chausson, Debussy, Ravel by Jan DeGaetani, Gilbert Kalish. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Le Charme, Op. 2, No. 2 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Le Charme, Op. 2, No. 2 by Ernest Chausson, Jan DeGaetani, Gilbert Kalish is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Trio No. 1 in D Minor, Op. 32: III. Elegia | Anton Arensky, Wilkomirski Trio | G Minor | 0 | 6A | 110 BPM | ||
10 Preludes, Op. 23: No. 10 in G-Flat Major (Largo) | Sergei Rachmaninoff, Vladimir Ashkenazy | E Major | 0 | 12B | 89 BPM | ||
Allons! il le faut!... Adieu notre petite table | Ernest Chausson, Jules Massenet, Gabriele Ferro, Orchestra Sinfonica Di Torino Della Rai | G Minor | 1 | 6A | 81 BPM | ||
Peer Gynt Suite No. 2, Op. 55: I. The Abduction (Ingrid's Lament) | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | G Minor | 1 | 6A | 135 BPM | ||
Chanson perpétuelle, Op. 37 (Version for Mezzo-Soprano & Piano Quintet) | Ernest Chausson, Magdalena Kozená, Sir Simon Rattle, Wolfram Brandl, Rahel Maria Rilling, Yulia Deyneka, David Adorján | C Minor | 0 | 5A | 140 BPM | ||
Menuet antique (version for orchestra) | Maurice Ravel, Orchestre National De Lyon, Leonard Slatkin | F♯ Major | 0 | 2B | 65 BPM | ||
Piano Concerto No.4 in G minor, Op.40: 2. Largo | Sergei Rachmaninoff, Vladimir Ashkenazy, London Symphony Orchestra, André Previn | C Major | 0 | 8B | 71 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: II. Adagio (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | F Major | 1 | 7B | 124 BPM | ||
String Quartet No. 12 In F Major, Op. 96, B. 179 - "American": 2. Lento | Antonín Dvořák, Emerson String Quartet | D Minor | 1 | 7A | 104 BPM | ||
Glazunov: Elegia, Op. 44 | Alexander Glazunov, Gérard Caussé | E♭ Major | 1 | 5B | 89 BPM |
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