Piero Cappuccilli, Fabio Armiliato's ' "Gloria" was released on its scheduled release date, February 15, 2011. The duration of This song is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. Gloria's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Piero Cappuccilli's "Messa di Gloria" album is number 2 out of 18. Gloria is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Gloria by Piero Cappuccilli, Fabio Armiliato to be Larghetto (rather broadly) because the track has a tempo of 64 BPM, a half-time of 32BPM, and a double-time of 128 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Questa o quella | Mario del Monaco | D♭ Major | 3 | 3B | 98 BPM | ||
Rigoletto - La Donna È Mobile | Luciano Pavarotti, Piero Cappuccilli, Nicola Zaccaria | F♯ Major | 1 | 2B | 87 BPM | ||
Mefistofele: Giunto sul passo estremo | Arrigo Boito, Roberto Alagna, London Philharmonic Orchestra, Richard Armstrong | A♭ Major | 1 | 4B | 76 BPM | ||
Werther: "Pourquoi me réveiller, ô souffle du printemps?" | Jules Massenet, Luciano Pavarotti, National Philharmonic Orchestra, Oliviero de Fabritiis | F♯ Minor | 2 | 11A | 156 BPM | ||
L'Arlesiana / Act 2: "E la solita storia" | Francesco Cilea, Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | F Major | 1 | 7B | 84 BPM | ||
Rigoletto / Act 3: M'odi, ritorna a casa | Giuseppe Verdi, Ileana Cotrubas, Piero Cappuccilli, Wiener Philharmoniker, Carlo Maria Giulini | D Major | 0 | 10B | 180 BPM | ||
Pagliacci / Act I: "Qual fiamma avea nel guardo! ... Stridono lassù" | Ruggero Leoncavallo, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | A Major | 1 | 11B | 78 BPM | ||
Recondita armonia - Tosca | Giuseppe Di Stefano | F Major | 2 | 7B | 168 BPM | ||
Carmina Burana / 3. Cour d'amours: "Circa mea pectora" | Carl Orff, Dietrich Fischer-Dieskau, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum | A Minor | 4 | 8A | 82 BPM | ||
Nabucco / Act 3: Oh, di qual'onta aggravasi | Giuseppe Verdi, Piero Cappuccilli, Ghena Dimitrova, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | D♭ Major | 2 | 3B | 149 BPM |