"Nabucco / Act 3: Oh, di qual'onta aggravasi" by Giuseppe Verdi, Piero Cappuccilli, Ghena Dimitrova, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli had its release date on January 1, 1983. The duration of This song is about 3 minutes long, at 3:13. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Verdi: Nabucco by Giuseppe Verdi, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli. The song's track number on the album is #9 out of 44 tracks. Based on our statistics, Nabucco / Act 3: Oh, di qual'onta aggravasi's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Nabucco / Act 3: Oh, di qual'onta aggravasi by Giuseppe Verdi, Piero Cappuccilli, Ghena Dimitrova, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli has a tempo of 149 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Nabucco / Act 3: Oh, di qual'onta aggravasi being at 149 BPM, the half-time would be 74 BPM with a double-time of 298 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, jogging or cycling. The time signature for this track is 5/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Mozart: Don Giovanni, K. 527, Act 1 Scene 16: Recitativo, "Ma poi, Masetto mio" - No. 12, Aria, "Batti, batti, o bel Masetto" (Zerlina) | Wolfgang Amadeus Mozart, Susanne Mentzer/Wiener Philharmoniker/Riccardo Muti, Riccardo Muti, Wiener Philharmoniker | F Major | 1 | 7B | 102 BPM | ||
Bizet: Carmen, WD 31, Act 2: "Non ! Je ne veux plus t'écouter !" (Don José, Carmen) | Georges Bizet, Michel Plasson, Angela Gheorghiu, Roberto Alagna, Orchestre National Du Capitole De Toulouse | G Minor | 3 | 6A | 164 BPM | ||
Carmen, Act III, No.24 Finale: Holà! holà! José (Carmen/Escamillo/Don José/Le Dancaïro) | Georges Bizet, Angela Gheorghiu, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | D Minor | 4 | 7A | 165 BPM | ||
La traviata / Act I: "Ebben? che diavol fate?" | Giuseppe Verdi, Ileana Cotrubas, Walter Gullino, Plácido Domingo, Bavarian State Orchestra, Carlos Kleiber | E♭ Major | 1 | 5B | 125 BPM | ||
Salome, Op. 54 / Scene 3: "Zurück, Tochter Sodoms!" | Richard Strauss, Cheryl Studer, Bryn Terfel, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | A Minor | 0 | 8A | 92 BPM | ||
Cavalleria rusticana: "Oh! Il Signore vi manda" (Duetto) | Pietro Mascagni, Julia Varady, Piero Cappuccilli, National Philharmonic Orchestra, Gianandrea Gavazzeni | D♭ Major | 2 | 3B | 64 BPM | ||
Andrea Chénier / Act 4: "Come un bel dì di maggio" | Umberto Giordano, Luciano Pavarotti, National Philharmonic Orchestra, Riccardo Chailly | E♭ Major | 3 | 5B | 89 BPM | ||
Don Giovanni, ossia Il dissoluto punito, K.527 / Act 2: In quali eccessi, o numi | Wolfgang Amadeus Mozart, Joyce DiDonato, Mahler Chamber Orchestra, Yannick Nézet-Séguin | G Major | 1 | 9B | 118 BPM | ||
La Traviata, Act I: Libiamo ne' lieti calici | Giuseppe Verdi, Lisette Oropesa, René Barbera, Ilseyar Khayrullova, Menna Cazel, Francesco Pittari, Daniel Oren, Dresdner Philharmonie, Sächsischer Staatsopernchor Dresden | B♭ Major | 2 | 6B | 106 BPM | ||
Pagliacci / Act 2: "Pagliaccio, mio marito" | Ruggero Leoncavallo, Mirella Freni, Vincenzo Bello, National Philharmonic Orchestra, Giuseppe Patanè | C Major | 0 | 8B | 110 BPM |