Luciano Pavarotti, Piero Cappuccilli, Nicola Zaccaria's 'Rigoletto - La Donna È Mobile' came out on January 1, 1991. The duration of Rigoletto - La Donna È Mobile is about 3 minutes long, at 3:05. Based on our data, "Rigoletto - La Donna È Mobile" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 15 in the song's album "Rigoletto - Highlights". In this album, this song's track order is #11. Rigoletto - La Donna È Mobile is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Rigoletto - La Donna È Mobile by Luciano Pavarotti, Piero Cappuccilli, Nicola Zaccaria having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Csárdás | Vittorio Monti, Philippe Graffin, Claire Désert | D Minor | 2 | 7A | 181 BPM | ||
Werther / Act 3: "Pourquoi me réveiller, ô souffle du printemps?" - Live | Jules Massenet, Luciano Pavarotti, Orchestra dell'ater, Leone Magiera | D Major | 3 | 10B | 83 BPM | ||
Le nozze di Figaro, K. 492 / Act 3: "Sull’aria ... Che soave zeffiretto" | Wolfgang Amadeus Mozart, Edith Mathis, Gundula Janowitz, Orchester der Deutschen Oper Berlin, Karl Böhm | B♭ Major | 1 | 6B | 80 BPM | ||
Gianni Schicchi: Act I - "O mio babbino caro" | Czech Symphony Orchestra, Julian Bigg, Susan McCulloch | A♭ Major | 2 | 4B | 169 BPM | ||
Caro mio ben | Tomasso Giordani, Luciano Pavarotti, Philharmonia Orchestra, Piero Gamba | F Major | 1 | 7B | 85 BPM | ||
Valse brindisi - Remasterizado | Luis Cobos | D Major | 2 | 10B | 100 BPM | ||
Hungarian Dance No. 5 in F Minor: Allegro | Johannes Brahms, London Festival Orchestra, Alfred Scholz | A Minor | 1 | 8A | 126 BPM | ||
Barcarolle | Jacques Offenbach, Arthur Fiedler, Boston Pops Orchestra | D♭ Minor | 3 | 12A | 110 BPM | ||
Lascia ch'io pianga from Rinaldo - Voice | George Frideric Handel, Barbra Streisand, Claus Ogerman | C Major | 1 | 8B | 94 BPM | ||
La Traviata / Act 1: Libiamo ne'lieti calici | Giuseppe Verdi, Ileana Cotrubas, Plácido Domingo, Chor der Bayerischen Staatsoper München, Bavarian State Orchestra, Carlos Kleiber | B♭ Major | 2 | 6B | 113 BPM |
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