Francesco Geminiani, Concerto Köln made "Concerto grosso, Op. 4, No. 2 in B Minor after Violin Sonata, Op. 4, No. 11: II. Allegro - Grave - Allegro" available on September 20, 2019. The duration of Concerto grosso, Op. 4, No. 2 in B Minor after Violin Sonata, Op. 4, No. 11: II. Allegro - Grave - Allegro is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. Concerto grosso, Op. 4, No. 2 in B Minor after Violin Sonata, Op. 4, No. 11: II. Allegro - Grave - Allegro's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Francesco Geminiani, Concerto Köln's "Geminiani: Quinta Essentia" album is number 22 out of 34. Based on our statistics, Concerto grosso, Op. 4, No. 2 in B Minor after Violin Sonata, Op. 4, No. 11: II. Allegro - Grave - Allegro's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Concerto grosso, Op. 4, No. 2 in B Minor after Violin Sonata, Op. 4, No. 11: II. Allegro - Grave - Allegro by Francesco Geminiani, Concerto Köln to be Allegro (fast, quick, and bright) because the track has a tempo of 124 BPM, a half-time of 62BPM, and a double-time of 248 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cello Sonata in A Major, Op. 5, No. 1: I. Andante | Francesco Geminiani, George Ross, Alastair Ross | B Major | 0 | 1B | 93 BPM | ||
Concerto No 6 in C minor - Allegro | Giuseppe Torelli, Charivari Agréable, Kah-Ming Ng | B Minor | 2 | 10A | 104 BPM | ||
Oboe Concerto in F Minor, TWV 51:f2: III. Vivace | Georg Philipp Telemann, Marcel Ponseele, Il Gardellino | E Minor | 3 | 9A | 107 BPM | ||
Partie 5 en ut majeur: Aria | Johann Pachelbel, Les Cyclopes, Bibiane Lapointe, Thierry Maeder, Manfred Kraemer, Laura Johnson, Nina Diehl | B Major | 2 | 1B | 100 BPM | ||
Sonata in D Major, No. 1: IV. Adagio | Arcangelo Corelli, Lucy van Dael, Bob van Asperen | B♭ Minor | 1 | 3A | 96 BPM | ||
Cantata No. 196, BWV 196 "Der Herr denket an uns": Sinfonia | Johann Sebastian Bach, Accademia Bizantina, Ottavio Dantone | B Minor | 1 | 10A | 77 BPM | ||
Concerto Grosso in D Minor, Op. 2, No. 5: II. Allegro | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | D Minor | 2 | 7A | 110 BPM | ||
Recorder Sonata No. 12 in G Minor: III. Largo | Francesco Mancini, Dan Laurin, London Baroque | B Minor | 0 | 10A | 97 BPM | ||
Neubrandenburg Concerto No. 3: I. Allegro (Transcr. By Harer, after Bach's Sonata for Viola da Gamba and Harpsichord, BWV 1029) | Johann Sebastian Bach, Christoph Harer, La Festa Musicale | F♯ Minor | 2 | 11A | 168 BPM | ||
Concerto in G major Seibel 217: 3. Grave | Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel | B♭ Minor | 0 | 3A | 126 BPM |
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