- BPM
- 93
- Key
- B Major
- Camelot
- 1B
Cello Sonata in A Major, Op. 5, No. 1: I. Andante - Francesco Geminiani, George Ross, Alastair Ross Information
- Acousticness
- 95%
- Danceability
- 33%
- Energy
- 2%
- Instrumentalness
- 0%
- Liveness
- 14%
- Loudness
- 53%
- Speechiness
- 4%
- Valence
- 46%
- Popularity
- 0%
- Loudness
- -28.213 dB
Summary
Francesco Geminiani, George Ross, Alastair Ross made "Cello Sonata in A Major, Op. 5, No. 1: I. Andante" available on April 26, 2024. The duration of Cello Sonata in A Major, Op. 5, No. 1: I. Andante is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. Cello Sonata in A Major, Op. 5, No. 1: I. Andante's duration is considered a little bit shorter than the average duration of a typical track. The song is number 14 out of 26 in Father & Son: Francesco Geminiani Sonatas for Cello and Continuo, Op. 5 by Francesco Geminiani, Alastair Ross, George Ross. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Cello Sonata in A Major, Op. 5, No. 1: I. Andante is currently unknown. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
Cello Sonata in A Major, Op. 5, No. 1: I. Andante BPM
The tempo marking of Cello Sonata in A Major, Op. 5, No. 1: I. Andante by Francesco Geminiani, George Ross, Alastair Ross is Andante (at a walking pace), since this song has a tempo of 93 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 5/4.
Cello Sonata in A Major, Op. 5, No. 1: I. Andante Key
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Concerto grosso No. 4 in D Major, Op. 6: IV. Allegro - Allegro | Arcangelo Corelli, Gli Incogniti, Amandine Beyer, Flavio Losco | D♭ Major | 3 | 3B | 163 BPM | |
 | Concerto Grosso No. 3 in D Minor (after D. Scarlatti): IV. Allegro | Charles Avison, The Avison Ensemble, Pavlo Beznosiuk | D♭ Minor | 2 | 12A | 87 BPM | |
 | Concerto Grosso No.9 in A minor after "Lessons for the Harpsichord" by Domenico Scarlatti: 1. Largo | Charles Avison, The English Concert, Trevor Pinnock | B Major | 1 | 1B | 143 BPM | |
 | Concerto IV in F Major: III. Vivace | Francesco Geminiani, Academy of Ancient Music, Andrew Manze | A♭ Major | 1 | 4B | 132 BPM | |
 | Suite in G: Air I | Johann Ludwig Bach, Musica Antiqua Köln, Reinhard Goebel | F♯ Major | 1 | 2B | 88 BPM | |
| Concerto I in D Major: I. Grave - Allegro - Adagio | Francesco Geminiani, Academy of Ancient Music, Andrew Manze | D♭ Major | 1 | 3B | 75 BPM | |
 | Concerto No 6 in C minor - Allegro | Giuseppe Torelli, Charivari Agréable, Kah-Ming Ng | B Minor | 2 | 10A | 104 BPM | |
 | Trio Sonata No. 1 in A Minor: II. Fuga | William Boyce, Simon Standage, Collegium Musicum 90 | A♭ Minor | 1 | 1A | 81 BPM | |
 | Canzoni overo sonate concertate per chiesa e camera, Book 3, Op. 12: No. 20, Chiaccona | Tarquinio Merula, London Baroque | B Major | 3 | 1B | 168 BPM | |
 | Flute Concerto in C Minor, QV 5:38: III. Vivace | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | B♭ Minor | 1 | 3A | 95 BPM |
- ISRC
- GBHQX2400114
- Label
- L-M Records/RCA Records
Section: 0.7385451793670654
End: 0.7440788745880127