Sinfonia No. 7 in re maggiore (Gerusalemme convertita): III. Allegro
Antonio Caldara, Claudio Ferrarini, Accademia Farnese
Antonio Caldara: 12 Sinfonie a quattro su Azione sacra
2:24 April 15, 2022
BPM
96
Key
A Minor
Camelot
8A

Embed

Share Link

Sinfonia No. 7 in re maggiore (Gerusalemme convertita): III. Allegro - Antonio Caldara, Claudio Ferrarini, Accademia Farnese Information

Acousticness
100%
Danceability
30%
Energy
10%
Instrumentalness
93%
Liveness
10%
Loudness
69%
Speechiness
5%
Valence
23%
Popularity
Loudness
-18.771 dB

Summary

Antonio Caldara, Claudio Ferrarini, Accademia Farnese's 'Sinfonia No. 7 in re maggiore (Gerusalemme convertita): III. Allegro' came out on April 15, 2022. The duration of Sinfonia No. 7 in re maggiore (Gerusalemme convertita): III. Allegro is about two minutes long, specifically at 2:24. This song does not appear to have any foul language. Sinfonia No. 7 in re maggiore (Gerusalemme convertita): III. Allegro's duration is considered a little bit shorter than the average duration of a typical track. The song is number 29 out of 51 in Antonio Caldara: 12 Sinfonie a quattro su Azione sacra by Antonio Caldara, Claudio Ferrarini, Accademia Farnese. Going off of the ISRC code of this track, we detected that the origin of this track is from Italy. In terms of popularity, Sinfonia No. 7 in re maggiore (Gerusalemme convertita): III. Allegro is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Sinfonia No. 7 in re maggiore (Gerusalemme convertita): III. Allegro BPM

The tempo marking of Sinfonia No. 7 in re maggiore (Gerusalemme convertita): III. Allegro by Antonio Caldara, Claudio Ferrarini, Accademia Farnese is Andante (at a walking pace), since this song has a tempo of 96 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Sinfonia No. 7 in re maggiore (Gerusalemme convertita): III. Allegro Key

A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Pièces de viole, Livre 3 - Suite No. 7 in G Major: No. 92. Prélude. Lentement by Marin Marais, Mieneke van der Velden, Glen WilsonPièces de viole, Livre 3 - Suite No. 7 in G Major: No. 92. Prélude. LentementMarin Marais, Mieneke van der Velden, Glen WilsonE♭ Minor02A120 BPM
The Indian Queen, Z. 630 : Act III - Trumpet Overture by The Scholars Baroque Ensemble, John Dryden, Henry PurcellThe Indian Queen, Z. 630 : Act III - Trumpet OvertureThe Scholars Baroque Ensemble, John Dryden, Henry PurcellD♭ Major13B112 BPM
Intermedes de Xerxes: Bourre pour les Basques by Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin MallonIntermedes de Xerxes: Bourre pour les BasquesJean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin MallonF♯ Major12B140 BPM
Miserere in C Minor Psalm 50, ZWV. 57 by Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Paul DombrechtMiserere in C Minor Psalm 50, ZWV. 57Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Paul DombrechtB Major11B64 BPM
Fago: Il Faraone sommerso: Fago: Il Faraone sommerso: "Alla gente a Dio diletta"Francesco Nicola Fago, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oroE Major112B92 BPM
Mystery (Rosary) Sonata No. 2, Mystery (Rosary) Sonata No. 2, "The Visitation": I. —Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, BattaliaA♭ Major04B78 BPM
Mass in B Minor, BWV 232: Credo. Crucifixus etiam pro nobis (Chorus) by Johann Sebastian Bach, Bach Collegium Japan Chorus, Bach Collegium Japan, Masaaki SuzukiMass in B Minor, BWV 232: Credo. Crucifixus etiam pro nobis (Chorus)Johann Sebastian Bach, Bach Collegium Japan Chorus, Bach Collegium Japan, Masaaki SuzukiE♭ Minor12A104 BPM
Dixit Dominus, ZWV 66: Judicabit - After Psalm 109 by Jan Dismas Zelenka, Adam Viktora, Inégal Ensemble, Prague Baroque SolistsDixit Dominus, ZWV 66: Judicabit - After Psalm 109Jan Dismas Zelenka, Adam Viktora, Inégal Ensemble, Prague Baroque SolistsF♯ Minor311A121 BPM
Grande Messe des Morts: XXIII. Agnus Dei: Moderato by Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego FasolisGrande Messe des Morts: XXIII. Agnus Dei: ModeratoFrancois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego FasolisC Minor05A132 BPM
Concerto Per Oboe, Archi E Continuo In Re Minore: III. Presto by Alessandro Marcello, Venice Baroque OrchestraConcerto Per Oboe, Archi E Continuo In Re Minore: III. PrestoAlessandro Marcello, Venice Baroque OrchestraD♭ Minor212A118 BPM
ISRC
ITZ391271618
Label
L-M Records/RCA Records

Section: 0.7131659984588623

End: 0.7182707786560059