"Mass in B Minor, BWV 232: Credo. Crucifixus etiam pro nobis (Chorus)" by Johann Sebastian Bach, Bach Collegium Japan Chorus, Bach Collegium Japan, Masaaki Suzuki was released on October 3, 2007. The duration of Mass in B Minor, BWV 232: Credo. Crucifixus etiam pro nobis (Chorus) is about 3 minutes long, at 3:17. Based on our data, "Mass in B Minor, BWV 232: Credo. Crucifixus etiam pro nobis (Chorus)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 5 out of 27 in Bach: Mass in B minor by Johann Sebastian Bach, Masaaki Suzuki, Bach Collegium Japan. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. In terms of popularity, Mass in B Minor, BWV 232: Credo. Crucifixus etiam pro nobis (Chorus) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Mass in B Minor, BWV 232: Credo. Crucifixus etiam pro nobis (Chorus) by Johann Sebastian Bach, Bach Collegium Japan Chorus, Bach Collegium Japan, Masaaki Suzuki is Andante (at a walking pace), since this song has a tempo of 104 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Christ unser Herr zum Jordan kam (Chorus) | Johann Sebastian Bach, Wilke te Brummelstroete, Paul Agnew, Dietrich Henschel, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | B Major | 0 | 1B | 106 BPM | ||
Vivaldi: Magnificat in G Minor, RV 610: I. Magnificat | Antonio Vivaldi, Choir of King's College, Cambridge, Academy of Ancient Music, Stephen Cleobury | F♯ Minor | 2 | 11A | 79 BPM | ||
Prelude In G Minor, BWV 930 : Praeambulum In G Minor, BWV 930 | Janos Sebestyen, Johann Sebastian Bach | G Minor | 2 | 6A | 129 BPM | ||
Weinen, Klagen, Sorgen, Zagen, BWV 12: Aria. Kreuz und Krone sind verbunden (Alto) | Johann Sebastian Bach, Yoshikazu Mera, Taka Kitazato, Bach Collegium Japan, Masaaki Suzuki | D♭ Minor | 0 | 12A | 84 BPM | ||
Mass in B Minor, BWV 232: Agnus Dei (Alto) | Johann Sebastian Bach, Meg Bragle, English Baroque Soloists, John Eliot Gardiner | E♭ Major | 1 | 5B | 126 BPM | ||
Te Deum for Soloists, Chorus and Orchestra, H. 146: Te aeternum Patrem (Chorus, Soprano I/II, Mezzo-Soprano, Tenor) | Marc-Antoine Charpentier, Annick Massis, Magdalena Kozená, Eric Huchet, Patrick Henckens, Les Musiciens du Louvre, Marc Minkowski, Chorus Of Les Musiciens Du Louvre | C Major | 4 | 8B | 106 BPM | ||
Pergolesi: Laudate pueri: VI. Gloria Patri | Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti | D Major | 1 | 10B | 71 BPM | ||
Languet anima mea BWV deest 1006: III. Recitativo: Amoris tui iaculo | Francesco Bartolomeo Conti, Johann Sebastian Bach, Bach Collegium Japan, Masaaki Suzuki, Hana Blaziková | E♭ Minor | 2 | 2A | 74 BPM | ||
Vivaldi: Gloria in D Major, RV 589: VI. Domine Deus | Antonio Vivaldi, Choir of King's College, Cambridge, Academy of Ancient Music, Deborah Norman, Stephen Cleobury | B Major | 1 | 1B | 175 BPM | ||
Wir danken dir, Gott, wir danken dir, BWV 29: Chorale. Wir danken dir, Gott (Chorus) | Johann Sebastian Bach, Hana Blaziková, Robin Blaze, Gerd Türk, Peter Kooij, Bach Collegium Japan Chorus, Bach Collegium Japan, Masaaki Suzuki | D♭ Major | 3 | 3B | 60 BPM |
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