Jan Pieterszoon Sweelinck, Timothy Brown, Choir of Clare College, Cambridge, Cambridge's 'Cantata Domino' came out on January 1, 1998. With this song being around four minutes long, at 3:37, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 37 in the song's album "Sweelinck, Cantiones sacrae". In this album, this song's track order is #8. Cantata Domino is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Cantata Domino by Jan Pieterszoon Sweelinck, Timothy Brown, Choir of Clare College, Cambridge, Cambridge having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Allein Gott in der Hoh sei Ehr, SwWV 299: Varitation 1 | Jan Pieterszoon Sweelinck, Joseph Kelemen | E Major | 2 | 12B | 92 BPM | ||
Singet dem Herrn ein neues Lied, BWV 225: Lobet den Herrn in seinen Taten | Johann Sebastian Bach, The Monteverdi Choir, John Eliot Gardiner | D♭ Major | 1 | 3B | 76 BPM | ||
Música Religiosa (Vol. I), I. Adoramus Te (4 V.) CM 4: Adoramus Te Domine (Antífonia) | Jordi Savall | D Minor | 0 | 7A | 89 BPM | ||
Lachrimae or Seven Tears: XIV. The Earl of Essex Galliard | John Dowland, Phantasm, Elizabeth Kenny | E Major | 1 | 12B | 112 BPM | ||
Purcell: Funeral Sentences: Thou Know'st, Lord, Z. 58C | Henry Purcell, John Eliot Gardiner, The Monteverdi Choir, English Baroque Soloists | F♯ Minor | 1 | 11A | 118 BPM | ||
Dixit Dominus (Soloists, Chorus) | Antonio Lotti, Barbara Christina Steude, Annekathrin Laabs, David Erler, Tobias Berndt, Saxon Vocal Ensemble, Batzdorfer Hofkapelle, Matthias Jung | B♭ Minor | 1 | 3A | 88 BPM | ||
Fürchte dich nicht | Johann Christoph Bach, Vox Luminis, Lionel Meunier | A Minor | 0 | 8A | 96 BPM | ||
Ihr lieben Christen, freut euch nun, BuxWV 66: II. Choral: "Ihr lieben Christen" | Dietrich Buxtehude, Antonia Bourvé, Les Favorites, Vocalensemble Rastatt, Holger Speck | G Major | 2 | 9B | 129 BPM | ||
Sestina, prima parte: "Incenerite spoglie" | Claudio Monteverdi, La Chapelle Vocale de l'Université de Lausanne, Jean-Christophe Aubert | B♭ Minor | 1 | 3A | 69 BPM | ||
Membra Jesu Nostri, BuxWV 75: II. Ad genua. Ad uber portabimini | Dietrich Buxtehude, Ensemble Correspondances, Sébastien Daucé | D♭ Major | 3 | 3B | 114 BPM |
Section: 0.6459615230560303
End: 0.658743143081665