Johann Sebastian Bach, The Monteverdi Choir, John Eliot Gardiner's 'Singet dem Herrn ein neues Lied, BWV 225: Lobet den Herrn in seinen Taten' came out on June 5, 2012. The duration of Singet dem Herrn ein neues Lied, BWV 225: Lobet den Herrn in seinen Taten is about 3 minutes long, at 3:09. Based on our data, "Singet dem Herrn ein neues Lied, BWV 225: Lobet den Herrn in seinen Taten" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 18 out of 19 in Bach: Motets by Johann Sebastian Bach, John Eliot Gardiner. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Singet dem Herrn ein neues Lied, BWV 225: Lobet den Herrn in seinen Taten is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Singet dem Herrn ein neues Lied, BWV 225: Lobet den Herrn in seinen Taten by Johann Sebastian Bach, The Monteverdi Choir, John Eliot Gardiner is Adagio (slowly with great expression), since this song has a tempo of 76 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Scarlatti, D: Stabat Mater in C Minor: VII. Juxta crucem | Domenico Scarlatti, John Eliot Gardiner, English Baroque Soloists, The Monteverdi Choir | C Minor | 1 | 5A | 60 BPM | ||
6 Chansons: No. 6. Verger | Paul Hindemith, SWR Vokalensemble Stuttgart, Marcus Creed | C Minor | 3 | 5A | 133 BPM | ||
Languet anima mea BWV deest 1006: II. Aria: O vulnera, vita coelestis | Francesco Bartolomeo Conti, Johann Sebastian Bach, Bach Collegium Japan, Masaaki Suzuki, Hana Blaziková | E♭ Minor | 2 | 2A | 74 BPM | ||
Wer nur den lieben Gott lässt walten | Georg Neumark, Johann Sebastian Bach, Vocal Concert Dresden, Peter Kopp, Sebastian Knebel | A Minor | 0 | 8A | 77 BPM | ||
Il ritorno d'Ulisse in patria, SV 325, Act I: Prologue. Mortal cosa son io | Claudio Monteverdi, Hana Blažíková, Gianluca Buratto, Carlo Vistoli, Silvia Frigato, English Baroque Soloists, John Eliot Gardiner | A Minor | 1 | 8A | 116 BPM | ||
Languet anima mea BWV deest 1006: IV. Aria: Tu lumen mentis es | Francesco Bartolomeo Conti, Johann Sebastian Bach, Bach Collegium Japan, Masaaki Suzuki, Hana Blaziková | E♭ Minor | 2 | 2A | 74 BPM | ||
Jesu, meine Freude, BWV 227: Weicht, ihr Trauergeister | Johann Sebastian Bach, The Monteverdi Choir, John Eliot Gardiner | E♭ Minor | 1 | 2A | 82 BPM | ||
Christus: VI. Choral "Er nimmt auf seinen Rücken" | Felix Mendelssohn, Laurence Equilbey, Accentus, Orchestre de chambre de Paris | D Minor | 2 | 7A | 121 BPM | ||
Wie schön leuchtet der Morgenstern, EG 70 | Philipp Nicolai, Johann Sebastian Bach, Kantorei der Kaiser-Wilhelm-Gedächtnis-Kirche, Helmut Hoeft | D Major | 2 | 10B | 170 BPM | ||
Ecce vicit Leo | Peter Philips, The Monteverdi Choir, John Eliot Gardiner | B♭ Major | 2 | 6B | 118 BPM |
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