"Música Religiosa (Vol. I), I. Adoramus Te (4 V.) CM 4: Adoramus Te Domine (Antífonia)" by Jordi Savall was released on January 1, 2001. With Música Religiosa (Vol. I), I. Adoramus Te (4 V.) CM 4: Adoramus Te Domine (Antífonia) being less than two minutes long, at 1:22, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 5 out of 76 in Alfons V El Magnànim: El Cancionero De Montecassino by Jordi Savall. Going off of the ISRC code of this track, we detected that the origin of this track is from Switzerland. Música Religiosa (Vol. I), I. Adoramus Te (4 V.) CM 4: Adoramus Te Domine (Antífonia) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Música Religiosa (Vol. I), I. Adoramus Te (4 V.) CM 4: Adoramus Te Domine (Antífonia) by Jordi Savall is Andante (at a walking pace), since this song has a tempo of 89 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 1/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Alcione, Acte III Scène 5: "Que vois-je ? De ses sens elle a perdu l’usage" | Marin Marais, Jordi Savall, Lea Desandre, Marc Mauillon, Le Concert Des Nations | D Major | 1 | 10B | 168 BPM | ||
Ruggiero (Quinta Pars IX) | Diego Ortiz, Jordi Savall | F Major | 1 | 7B | 113 BPM | ||
Quintetto in Do Maggiore La Musica Notturna Delle Strade Di Madrid Op. 30, No. 6, G. 324: Passa Calle - Allegro Vivo | Luigi Boccherini, Jordi Savall, Rolf Lislevand, Le Concert Des Nations | G Major | 1 | 9B | 102 BPM | ||
Laudemus Virginem | Jordi Savall | E Minor | 3 | 9A | 127 BPM | ||
All'imperio d'Amore: 9. O Giovenil ardire a 10 "I Fabii" | Alessandro Striggio, Ensemble Pygmalion, Raphael Pichon | G Major | 1 | 9B | 95 BPM | ||
Ma maistresse | Johannes Ockeghem, Capilla Flamenca | F Major | 1 | 7B | 125 BPM | ||
Miserere: XI. Tunc acceptabis sacrificium justitiae ; Tunc inponent - Livre des psaumes | Gregorio Allegri, Bai Tomaso, Ensemble Zene, Bruno Kele-Baujard | B Minor | 1 | 10A | 110 BPM | ||
Lassus: Alma Redemptoris Mater | Orlande de Lassus, Peter Phillips, The Tallis Scholars | B♭ Major | 1 | 6B | 69 BPM | ||
Alcione, Acte V Scène 6: "Quoi ! Je revois Ceix" | Marin Marais, Jordi Savall, Lea Desandre, Cyril Auvity, Antonio Abete, Le Concert Des Nations | B♭ Minor | 1 | 3A | 60 BPM | ||
Browning My Dear (Woodcock) | Jordi Savall | F Major | 1 | 7B | 132 BPM |
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