ベルリン室内管弦楽団's 'アイネ・クライネ・ナハトムジーク~第2楽章(モーツァルト)' came out on April 23, 2014. With this song being about 5 minutes long, at 4:57, "アイネ・クライネ・ナハトムジーク~第2楽章(モーツァルト)" by ベルリン室内管弦楽団 is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Various Artists's "I Love Classics 100" album is number 18 out of 100. On top of that, Japan appears to be the country where this track was created. アイネ・クライネ・ナハトムジーク~第2楽章(モーツァルト) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of アイネ・クライネ・ナハトムジーク~第2楽章(モーツァルト) by ベルリン室内管弦楽団 to be Andante (at a walking pace) because the track has a tempo of 81 BPM, a half-time of 40BPM, and a double-time of 162 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
C大調第16號鋼琴奏鳴曲 第一樂章 K. 545 | 古典鋼琴詩 | C Major | 1 | 8B | 139 BPM | ||
KV333 - Allegro | Adriano Paolini | F Major | 0 | 7B | 80 BPM | ||
Der Fischer und das Milchmädchen: II. Air de Chasse | Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario Salvi | D Major | 1 | 10B | 77 BPM | ||
アイネ・クライネ・ナハトムジーク~第2楽章(モーツァルト) | ベルリン室内管弦楽団 | C Major | 0 | 8B | 81 BPM | ||
Symphony in G Major, Op. 11 No. 1: III. Allegro assai | Joseph Bologne, Chevalier de Saint-Georges, Czech Philharmonic Chamber Orchestra, Michael Halasz | G Major | 1 | 9B | 75 BPM | ||
L'Olimpiade, Act II Scene 17: Aria. "Nel lasciarti" | Domenico Cimarosa, Maite Beaumont, Rocio Pérez, Josh Lovell, Mathilde Ortscheidt, Christophe Rousset, Les Talens Lyriques | B♭ Major | 3 | 6B | 78 BPM | ||
30 Piano études, Op. 26: No. 7 in D Major, Andante espressivo | Louise Farrenc, Maria Stratigou | D Major | 1 | 10B | 118 BPM | ||
5:無邪気(ブルグミュラー:25の練習曲 作品100) | 伊奈和子 | F Major | 5 | 7B | 104 BPM | ||
Armida, Atto Secondo Scena 2: Ballo | Antonio Salieri, Les Talens Lyriques, Christophe Rousset | G Major | 0 | 9B | 65 BPM | ||
Symphony in F Minor, Bryan f1: I. Allegro moderato | Johann Baptist Vanhal, Czech Philharmonic Chamber Orchestra, Michael Halasz | G Major | 1 | 9B | 117 BPM |
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