"Armida, Atto Secondo Scena 2: Ballo" by Antonio Salieri, Les Talens Lyriques, Christophe Rousset had its release date on January 22, 2021. With This song being less than two minutes long, at 1:37, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 54 in the song's album "Salieri: Armida". In this album, this song's track order is #27. Armida, Atto Secondo Scena 2: Ballo is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Armida, Atto Secondo Scena 2: Ballo by Antonio Salieri, Les Talens Lyriques, Christophe Rousset having a BPM of 65 with a half-time of 32 BPM and a double-time of 130 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Thésée, LWV 51, Prologue: Ouverture | Jean-Baptiste Lully, Les Talens Lyriques, Christophe Rousset | B♭ Major | 2 | 6B | 96 BPM | ||
Achmet und Zenide, Act III: Ouverture | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | D Major | 1 | 10B | 141 BPM | ||
Sinfonia in B-Flat Major: I. Adagio. Allegro | Theodor von Schacht, Evergreen Symphony Orchestra, Gernot Schmalfuss | F Major | 3 | 7B | 140 BPM | ||
Emma, ou la promesse imprudente, S. 6 (Excerpts): Entr'acte to Act III | Daniel Auber, Czech Philharmonic Chamber Orchestra, Dario Salvi | D Major | 0 | 10B | 96 BPM | ||
Der Stein der Weisen, Act I: Overture | Wolfgang Amadeus Mozart, Johann Baptist Henneberg, Benedikt Schack, Franz Xaver Gerl, Emanuel Schikaneder, Boston Baroque, Martin Pearlman | D♭ Major | 1 | 3B | 90 BPM | ||
La vestale, Act III: Air. Toi que je laisse sur la terre | Gaspare Spontini, Marina Rebeka, Les Talens Lyriques, Christophe Rousset | B♭ Major | 3 | 6B | 78 BPM | ||
The Well-Tempered Clavier, Livre 1: Fugue No. 9 en Mi Majeur, BWV 854 | Johann Sebastian Bach, Christophe Rousset | B♭ Minor | 5 | 3A | 99 BPM | ||
Thésée, LWV 51, Acte quatrième Scène 6: "Finissez vos regrets"(Médée, Églé, Thésée) | Jean-Baptiste Lully, Karine Deshayes, Deborah Cachet, Les Talens Lyriques, Christophe Rousset | C Minor | 1 | 5A | 81 BPM | ||
6 Quartetto concertans, No. 3 in C Major: II. Rondeau. Moderato | Joseph Bologne, Chevalier de Saint-Georges, Arabella Quartet | B♭ Major | 1 | 6B | 90 BPM | ||
Proserpine: Overture in D Major: I. Allegro spiritoso | Giovanni Paisiello, Collegium Philarmonicum Chamber Orchestra, Gennaro Cappabianca | D Major | 3 | 10B | 140 BPM |