"Saint-Saëns: Piano Concerto No. 5 in F Major, Op. 103 "Egyptian": I. Allegro animato" by Camille Saint-Saëns, Bertrand Chamayou, Emmanuel Krivine, Orchestre National De France was released on September 7, 2018. Saint-Saëns: Piano Concerto No. 5 in F Major, Op. 103 "Egyptian": I. Allegro animato appears to be safe for all ages as it is not explicit. There are a total of 13 in the song's album "Saint-Saëns: Piano Concertos Nos 2, 5 & Piano Works". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United Kingdom. Saint-Saëns: Piano Concerto No. 5 in F Major, Op. 103 "Egyptian": I. Allegro animato is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Saint-Saëns: Piano Concerto No. 5 in F Major, Op. 103 "Egyptian": I. Allegro animato by Camille Saint-Saëns, Bertrand Chamayou, Emmanuel Krivine, Orchestre National De France having a BPM of 81 with a half-time of 40 BPM and a double-time of 162 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fantasia in C Major, Hob. XVII: 4 | Joseph Haydn, Jean-Efflam Bavouzet | C Major | 2 | 8B | 134 BPM | ||
Piano Concerto No. 5 in F Major, Op. 103 "Egyptian": Piano Concerto No. 5 in F Major, Op. 103 "Egyptian": I. Allegro animato | Camille Saint-Saëns, Louis Schwizgebel, BBC Symphony Orchestra, Martyn Brabbins | F Major | 1 | 7B | 87 BPM | ||
Dessner: Song for Octave | Bryce Dessner, Bertrand Chamayou | E♭ Major | 1 | 5B | 133 BPM | ||
12 Schubert Songs: Heidenroslein (Hedge Rose) | Leopold Godowsky, Konstantin Scherbakov | G Major | 0 | 9B | 127 BPM | ||
Concerto for Violin & Orchestra, Op. 14: III. Presto in moto perpetuo | Samuel Barber, Gil Shaham, London Symphony Orchestra, André Previn | A Minor | 5 | 8A | 97 BPM | ||
Pelléas et Mélisande, Op.80: 6. Molto adagio | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | D Minor | 0 | 7A | 82 BPM | ||
Lied opus 34 no.2, transcription Franz Liszt: Auf Flügeln Des Gesanges | Felix Mendelssohn, Bertrand Chamayou | A♭ Major | 0 | 4B | 71 BPM | ||
3 Romances, Op. 22: No. 1, Andante molto (Arr. Knoth for Cello and Piano) | Clara Schumann, Sophie Kauer, Kunal Lahiry | D♭ Major | 0 | 3B | 68 BPM | ||
Piano Concerto in C-Sharp Minor, Op. 45: III. Largo | Amy Beach, Alan Feinberg, Nashville Symphony Orchestra, Kenneth Schermerhorn | F♯ Minor | 0 | 11A | 88 BPM | ||
Nocturne No. 19 in E Minor, Op. 72, No. 1 | Frédéric Chopin, Benjamin Grosvenor | E Minor | 0 | 9A | 66 BPM |
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