"Act IV: La fatal pietra" by Giuseppe Verdi, Enrico Caruso, Johanna Gadski, Walter B. Rogers was released on 1990. With this song being around four minutes long, at 4:18, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 13 out of 206 in Enrico Caruso - The Complete Victor Recordings by Enrico Caruso. Act IV: La fatal pietra is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Act IV: La fatal pietra by Giuseppe Verdi, Enrico Caruso, Johanna Gadski, Walter B. Rogers is Adagio (slowly with great expression), since this song has a tempo of 72 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmina Burana / 2. In Taberna: "Estuans interius" | Carl Orff, Dietrich Fischer-Dieskau, Orchester der Deutschen Oper Berlin, Eugen Jochum | A Minor | 4 | 8A | 84 BPM | ||
Les Contes d'Hoffmann / Act 4: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Edita Gruberova, Claudia Eder, Orchestre National De France, Seiji Ozawa, Choeurs de Radio France | D Major | 1 | 10B | 101 BPM | ||
La fille du régiment / Act 1: Ah mes amis - Pour mon âme | Gaetano Donizetti, Luciano Pavarotti, Eric Garrett, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F Major | 3 | 7B | 131 BPM | ||
Requiem: I. Requiem Aeternam | Giuseppe Verdi, Sir Colin Davis, Christine Brewer, Karen Cargill, London Symphony Orchestra, Stuart Neill, John Relyea | A Minor | 0 | 8A | 85 BPM | ||
Rigoletto / Act 2: "Ella mi fu rapita...Parmi veder le lagrime" | Giuseppe Verdi, Luciano Pavarotti, London Symphony Orchestra, Richard Bonynge | D♭ Major | 2 | 3B | 89 BPM | ||
Nabucco, Act III: Slave Chorus | Giuseppe Verdi, Lorin Maazel, Orchestra Philharmonique de Monte Carlo, Choeur de la Radio Suisse Romande, Choeur Pro Arte de Lausanne d'André Charlet, Monte-Carlo Philharmonic Orchestra | G Major | 2 | 9B | 57 BPM | ||
Andrea Chénier / Act III: "La mamma morta" | Umberto Giordano, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | D Major | 1 | 10B | 76 BPM | ||
Turandot / Act 1: "Popoli di Pekino!" | Giacomo Puccini, Sabin Markov, Montserrat Caballé, Luciano Pavarotti, Nicolai Ghiaurov, John Alldis Choir, London Philharmonic Orchestra, Zubin Mehta | A♭ Major | 3 | 4B | 134 BPM | ||
Bizet: Carmen, Act II: No.14 Couplets: Votre toast, je peux vous le rendre...Toréador, en garde! (Escamillo/Carmen/Frasquita/Mercédès/Moralès/Zuniga/Amis d'Escamillo) | Georges Bizet, Thomas Hampson, Michel Plasson, Orchestre National Du Capitole De Toulouse | F Major | 3 | 7B | 175 BPM | ||
Il trovatore: Coro di zingari | Giuseppe Verdi, Christer Solén, Staffan Sandlund, Eric Ericson, Orphei Drängar, Swedish Radio Symphony Orchestra, Leif Segerstam | G Major | 4 | 9B | 142 BPM |
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