Carl Orff, Dietrich Fischer-Dieskau, Orchester der Deutschen Oper Berlin, Eugen Jochum made "Carmina Burana / 2. In Taberna: "Estuans interius"" available on January 1, 1988. The duration of Carmina Burana / 2. In Taberna: "Estuans interius" is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. Carmina Burana / 2. In Taberna: "Estuans interius"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 25 in the song's album "Orff: Carmina Burana". In this album, this song's track order is #11. Carmina Burana / 2. In Taberna: "Estuans interius" is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Carmina Burana / 2. In Taberna: "Estuans interius" by Carl Orff, Dietrich Fischer-Dieskau, Orchester der Deutschen Oper Berlin, Eugen Jochum having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wesendonck Lieder: Träume | Richard Wagner, Jonas Kaufmann, Orchester der Deutschen Oper Berlin, Donald Runnicles | A♭ Major | 1 | 4B | 72 BPM | ||
Fedora / Act 2: "Amor ti vieta" | Umberto Giordano, Roberto Alagna, Orchestra of the Royal Opera House, Covent Garden, Sir Mark Elder | C Major | 1 | 8B | 91 BPM | ||
Nabucco: Zieht, Gedanken | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Rafael Frühbeck de Burgos | D♭ Major | 1 | 3B | 99 BPM | ||
Das Verlassene Mägdlein | Hugo Wolf, Barbara Hendricks | A Minor | 0 | 8A | 70 BPM | ||
Die Meistersinger von Nürnberg, WWV 96: Prelude | Richard Wagner, Orchester der Deutschen Oper Berlin, Eugen Jochum | C Major | 3 | 8B | 102 BPM | ||
Pagliacci / Act 2: "No, Pagliaccio non son...Suvvia, cosi terribile" | Ruggero Leoncavallo, Luciano Pavarotti, Ingvar Wixell, Mirella Freni, Lorenzo Saccomani, Vincenzo Bello, The London Opera Chorus, Finchley Children's Music Group, National Philharmonic Orchestra, Giuseppe Patanè | E♭ Major | 3 | 5B | 126 BPM | ||
Don Pasquale / Act 3: "Com'è gentil...tornami a dir" | Gaetano Donizetti, Juan Diego Flórez, Andrea Menafra, Rossella Perrone, Giulio Patara, Coro Sinfonico di Milano Giuseppe Verdi, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Frizza | A Major | 2 | 11B | 102 BPM | ||
Carmina Burana / 3. Cour d'amours: "Veni, veni, venias" | Carl Orff, Brighton Festival Chorus, Royal Philharmonic Orchestra, Antal Doráti | D Minor | 6 | 7A | 154 BPM | ||
Gayane Suite No. 3: II. Dance of the Comrades | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | D♭ Major | 4 | 3B | 106 BPM | ||
Carmen (1997 - Remaster), Act I: La cloche a sonné....Dans l'air | Georges Bizet, Choeurs René Duclos/Choeurs d'Enfants Jean Pesneaud/Orchestre de l'Opéra National de Paris/Georges Prêtre, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | E Major | 1 | 12B | 82 BPM |
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