"Harpsichord Concerto, Op. 40 (version for piano and orchestra): I. Allegro molto" by Henryk Górecki, Anna Gorecka, Warsaw Philharmonic Orchestra, Antoni Wit was released on May 1, 2012. With this song being around four minutes long, at 3:34, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Henryk Górecki, Various Artists, Antoni Wit's "Górecki: Little Requiem for a Certain Polka - Concerto-Cantata - Harpsichord Concerto - 3 Dances" album is number 9 out of 13. Harpsichord Concerto, Op. 40 (version for piano and orchestra): I. Allegro molto is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Harpsichord Concerto, Op. 40 (version for piano and orchestra): I. Allegro molto by Henryk Górecki, Anna Gorecka, Warsaw Philharmonic Orchestra, Antoni Wit to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 3 "Symphony of Sorrowful Songs": 2. Lento e largo | Henryk Górecki, Joanna Koslowska, Warsaw Philharmonic Orchestra, Kazimierz Kord | B♭ Minor | 0 | 3A | 52 BPM | ||
Medea - Invocation "Nunc iam cessit pontus et omnis partitur" | Montserrat Figueras, Sénèque, Dimitri Psonis, Jordi Savall | F Major | 1 | 7B | 66 BPM | ||
Dido and Aeneas, Z.626 - Arr. for cello and choir: Purcell: When I am laid in earth (Dido and Aeneas, Z.626 - Arr. for cello and choir) | Henry Purcell, Henri Demarquette, Sequenza 9.3, Catherine Simonpietri | C Major | 1 | 8B | 74 BPM | ||
Asturiana | Manuel de Falla, Kim Kashkashian, Robert Levin | F Minor | 0 | 4A | 89 BPM | ||
Requiem, Op. 9: I. Introit (1961 Version) | Maurice Duruflé, Stephen Cleobury, Choir of King's College, Cambridge, Orchestra of the Age of Enlightenment | F Major | 0 | 7B | 132 BPM | ||
Parce Mihi Domine | Jan Garbarek, Cristobal de Morales, The Hilliard Ensemble | B♭ Major | 1 | 6B | 129 BPM | ||
Vladimir Martynov: Schubert-Quintet (Unfinished): Movement II | Vladimir Martynov, Kronos Quartet | A Major | 0 | 11B | 85 BPM | ||
Petite messe solennelle: Kyrie: Petite messe solennelle: Kyrie: I. Kyrie | Gioachino Rossini, Marcus Creed, RIAS Kammerchor | C Major | 3 | 8B | 118 BPM | ||
Requiem, Op. 33b | Jón Leifs, Schola Cantorum Reykjavicensis, Hörður Áskelsson | A♭ Major | 0 | 4B | 140 BPM | ||
Iphigénie en Tauride, Wq. 46 (Excerpts): O Diane, sois-nous propice | Christoph Willibald Gluck, Munich Radio Orchestra, Lamberto Gardelli, Bavarian Radio Chorus | A Minor | 0 | 8A | 114 BPM |
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