"Requiem, Op. 9: I. Introit (1961 Version)" by Maurice Duruflé, Stephen Cleobury, Choir of King's College, Cambridge, Orchestra of the Age of Enlightenment was released on September 9, 2016. With this song being around four minutes long, at 3:32, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 1 out of 18 in Duruflé: Requiem, Four Motets, Messe Cum Jubilo by Maurice Duruflé, Orchestra of the Age of Enlightenment, Stephen Cleobury, Choir of King's College, Cambridge. Based on our statistics, Requiem, Op. 9: I. Introit (1961 Version)'s popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Requiem, Op. 9: I. Introit (1961 Version) by Maurice Duruflé, Stephen Cleobury, Choir of King's College, Cambridge, Orchestra of the Age of Enlightenment is Allegro (fast, quick, and bright), since this song has a tempo of 132 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem, K. 626: Hostias | Wolfgang Amadeus Mozart, Stephen Cleobury, Choir of King's College, Cambridge, Academy of Ancient Music | E♭ Major | 1 | 5B | 96 BPM | ||
If Music Be The Food Of Love | Alfred Deller | D Minor | 1 | 7A | 129 BPM | ||
Lay a garland on her hearse | Robert Lucas Pearsall, Pre-Raphaelite Singer, The, Anthony Rooley | C Minor | 1 | 5A | 129 BPM | ||
The Lamb | John Tavener, Vasari Singers, Jeremy Backhouse | E Minor | 0 | 9A | 183 BPM | ||
Membra Jesu Nostri, BuxWV 75, Ad pedes: Concerto "Ecce super montes pedes evangelizantis" | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Maria Keohane, Hanna Bayodi, Carlos Mena, Jeffrey Thompson, Matthias Vieweg | F Minor | 2 | 4A | 131 BPM | ||
Requiem, Op. 9: I. Introit (1961 Version) | Maurice Duruflé, Stephen Cleobury, Choir of King's College, Cambridge, Orchestra of the Age of Enlightenment | F Major | 0 | 7B | 132 BPM | ||
Si du malheur | Orlande de Lassus, Ensemble Clément Janequin, Dominique Visse | E♭ Minor | 0 | 2A | 138 BPM | ||
Requiem, Op. 48, N. 97: Introit (Ed. Marc Rigaudière) | Gabriel Fauré, Orchestra of the Age of Enlightenment, Stephen Cleobury, Ensemble of King's College, Cambridge | E♭ Major | 1 | 5B | 96 BPM | ||
Õhtul | Kammerkoor Head Ööd Vend | E♭ Major | 0 | 5B | 141 BPM | ||
Sicut lilium | Antoine Brumel, Choir of Jesus College, Cambridge, Mark Williams | G Major | 0 | 9B | 82 BPM |
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