"Medea - Invocation "Nunc iam cessit pontus et omnis partitur"" by Montserrat Figueras, Sénèque, Dimitri Psonis, Jordi Savall was released on February 27, 2012. With this song being about 5 minutes long, at 4:52, "Medea - Invocation "Nunc iam cessit pontus et omnis partitur"" by Montserrat Figueras, Sénèque, Dimitri Psonis, Jordi Savall is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 36 in the song's album "The Voice of Emotion". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. Medea - Invocation "Nunc iam cessit pontus et omnis partitur" is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Medea - Invocation "Nunc iam cessit pontus et omnis partitur" by Montserrat Figueras, Sénèque, Dimitri Psonis, Jordi Savall having a BPM of 66 with a half-time of 33 BPM and a double-time of 132 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Menk kadj tohmi | Traditional, Hespèrion XXI, David Mayroal, Gaguik Mouradian, Haïg Sarikouyoumdjian, Jordi Savall, Viva Biancaluna Biffi | E Minor | 3 | 9A | 114 BPM | ||
Purcell: "O Solitude, My Sweetest Choice", Z. 406 | Henry Purcell, Nancy Argenta, Nigel North, Paul Nicholson, Richard Boothby | B Minor | 0 | 10A | 73 BPM | ||
In Nomine | John Taverner, The Rose Consort Of Viols | E Major | 0 | 12B | 108 BPM | ||
Folias (A 3) Echa Para Mi Señora Doña Tarolilla De Carallenos | Andrea Falconieri, Jordi Savall, Hespèrion XXI | B Major | 2 | 1B | 84 BPM | ||
Fantaisie en Mi mineur (Arrangement Jordi Savall d'après Mr. de Sainte Colombe le fils) | Monsieur de Sainte-Colombe, Jordi Savall | E♭ Minor | 0 | 2A | 61 BPM | ||
Plainte de l’Exil / Duduk improvisation (Arménie) | Haïg Sarikouyoumdjian, Jordi Savall | B Minor | 0 | 10A | 144 BPM | ||
Obsecro Te | Josquin des Prez, Ariel Abramovich, Lee Santana | C Minor | 0 | 5A | 86 BPM | ||
Si du malheur | Orlande de Lassus, Ensemble Clément Janequin, Dominique Visse | E♭ Minor | 0 | 2A | 138 BPM | ||
Oedipus (1692), Z. 583) | Henry Purcell, Alfred Deller, Walter Bergman | F Minor | 0 | 4A | 82 BPM | ||
Amazigh Lullaby | Montserrat Figueras, Driss El Malouni, Traditional, Pedro Estevan | G Minor | 0 | 6A | 85 BPM |
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