"Medea (Medee) (Sung in Italian): Act I: Nemici senza cor (Medea, Giasone)" by Luigi Cherubini, Nicola Zaccaria, Joan Carlyle, Jon Vickers, Maria Callas, Fiorenza Cossotto, David Allen, Mary Wells, Elizabeth Rust, Royal Opera House Chorus, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Nicola Rescigno was released on December 1, 2014. With this song being about 5 minutes long, at 4:57, "Medea (Medee) (Sung in Italian): Act I: Nemici senza cor (Medea, Giasone)" by Luigi Cherubini, Nicola Zaccaria, Joan Carlyle, Jon Vickers, Maria Callas, Fiorenza Cossotto, David Allen, Mary Wells, Elizabeth Rust, Royal Opera House Chorus, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Nicola Rescigno is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 16 out of 40 in Cherubini: Medea (1959) by Luigi Cherubini, Maria Callas, Joan Carlyle, Nicola Rescigno, Royal Opera House Chorus, Covent Garden. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Medea (Medee) (Sung in Italian): Act I: Nemici senza cor (Medea, Giasone) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Medea (Medee) (Sung in Italian): Act I: Nemici senza cor (Medea, Giasone) by Luigi Cherubini, Nicola Zaccaria, Joan Carlyle, Jon Vickers, Maria Callas, Fiorenza Cossotto, David Allen, Mary Wells, Elizabeth Rust, Royal Opera House Chorus, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Nicola Rescigno is Adagio (slowly with great expression), since this song has a tempo of 73 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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St. Matthew Passion, BWV 244 / Part Two: "Erbarme dich" | Johann Sebastian Bach, Anne Sofie von Otter, Chicago Symphony Orchestra, Sir Georg Solti | B Minor | 1 | 10A | 93 BPM | ||
Donizetti: Anna Bolena, Act 2: "Cielo, a'miei lunghi spasimi" (Anna, Percy, Rochefort, Smeton) | Gaetano Donizetti, Diana Damrau, Domenico Pellicola, Fabrizio Beggi, Sara Rocchi, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | G Major | 0 | 9B | 82 BPM | ||
Mass in B Minor, BWV 232 "Hohe Messe": No. 4 Chorus: Et incarnatus est | Johann Sebastian Bach, Carlo Maria Giulini, Bavarian Radio Symphony Orchestra | B Minor | 0 | 10A | 75 BPM | ||
Requiem in C Minor: II. Graduale | Luigi Cherubini, Martin Pearlman, Boston Baroque | G Major | 1 | 9B | 81 BPM | ||
String Quartet No. 3 in D Minor: III. Scherzo. Allegro | Luigi Cherubini, Quartetto Savinio | A Minor | 1 | 8A | 139 BPM | ||
Chaconne In G Minor For Violin And Organ | Tomaso Antonio Vitali, William Neil, Heather LeDoux Green, Sylvia Alimena, Eclipse Chamber Orchestra | A Minor | 0 | 8A | 96 BPM | ||
Requiem, Op. 48: VI. Agnus Dei | Gabriel Fauré, Laurence Equilbey, Accentus, Orchestre National De France | D Minor | 1 | 7A | 69 BPM | ||
Der Freischütz, J. 277 / Act I: Walzer | Carl Maria von Weber, Staatskapelle Dresden, Carlos Kleiber | A Major | 4 | 11B | 182 BPM | ||
Sinfonia in D Major, "La Veneziana": II. Andantino grazioso | Antonio Salieri, Chopin Chamber Orchestra, Winston Dan Vogel | G Major | 0 | 9B | 78 BPM | ||
Stabat Mater: 3. O quam tristis | Giovanni Battista Pergolesi, Margaret Marshall, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie Pearson | G Minor | 1 | 6A | 80 BPM |
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