"Requiem, Op. 48: VI. Agnus Dei" by Gabriel Fauré, Laurence Equilbey, Accentus, Orchestre National De France was released on November 3, 2008. Requiem, Op. 48: VI. Agnus Dei is about six minutes long, preciously at 5:39, making this song fairly long compared to other songs. The song is number 6 out of 9 in Fauré: Requiem by Gabriel Fauré, Accentus, Laurence Equilbey. Requiem, Op. 48: VI. Agnus Dei is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Requiem, Op. 48: VI. Agnus Dei by Gabriel Fauré, Laurence Equilbey, Accentus, Orchestre National De France is Adagio (slowly with great expression), since this song has a tempo of 69 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Magnificat in D Major, BWV 243: I. Magnificat anima mea Dominum | Johann Sebastian Bach, Collegium Vocale Gent, La Chapelle Royale, Philippe Herreweghe | A Minor | 2 | 8A | 137 BPM | ||
Orfeo ed Euridice - Vienna Version (1762), Wq. 30; WOTG/LiebG I.A.30 / Act I / Scene 1: Ballo. Larghetto - Live | Christoph Willibald Gluck, Insula Orchestra, Laurence Equilbey | B♭ Minor | 0 | 3A | 77 BPM | ||
Requiem, Op.48: 4. Pie Jesu | Gabriel Fauré, Kathleen Battle, Timothy Farrell, Philharmonia Orchestra, Carlo Maria Giulini | E♭ Major | 0 | 5B | 89 BPM | ||
Holberg Suite, Op. 40: 3. Gavotte (Allegretto) - Musette (poco più mosso) - Gavotte | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 0 | 9B | 78 BPM | ||
Eia Mater: Andantino | Giovanni Battista Pergolesi, Rinaldo Alessandrini, Gemma Bertagnolli, Concerto Italiano, Sara Mingardo | E Minor | 0 | 9A | 0 BPM | ||
Stabat Mater: 5. Quis est homo | Giovanni Battista Pergolesi, Margaret Marshall, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie Pearson | C Minor | 1 | 5A | 94 BPM | ||
Requiem in D Minor, K. 626: III. Tuba mirum (Sequenz) | Wolfgang Amadeus Mozart, Laurence Equilbey, Sandrine Piau, Sara Mingardo, Accentus, Insula Orchestra, Christopher Purves, Werner Güra | B Minor | 1 | 10A | 135 BPM | ||
La Bohème / Act 1: "Sì. Mi chiamano Mimì" | Giacomo Puccini, Pumeza Matshikiza, Aarhus Symfoniorkester, Tobias Ringborg | D Major | 2 | 10B | 90 BPM | ||
Pergolesi: Stabat Mater: I. Stabat Mater dolorosa | Giovanni Battista Pergolesi, Philippe Jaroussky, Julia Lezhneva, Diego Fasolis, I Barocchisti | E Minor | 0 | 9A | 138 BPM | ||
Pur ti miro | Claudio Monteverdi, Elin Manahan Thomas, Robin Blaze, Alastair Ross, Siobhán Armstrong, Joseph Crouch, Eligio Quinteiro, Harry Christophers | F♯ Major | 0 | 2B | 72 BPM |
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