Luigi Cherubini, Quartetto Savinio's 'String Quartet No. 3 in D Minor: III. Scherzo. Allegro' came out on March 19, 2008. Since String Quartet No. 3 in D Minor: III. Scherzo. Allegro is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 7 out of 24 in Cherubini: Complete String Quartets by Luigi Cherubini, Quartetto Savinio. Going off of the ISRC code of this track, we detected that the origin of this track is from Italy. Based on our statistics, String Quartet No. 3 in D Minor: III. Scherzo. Allegro's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of String Quartet No. 3 in D Minor: III. Scherzo. Allegro by Luigi Cherubini, Quartetto Savinio is Allegro (fast, quick, and bright), since this song has a tempo of 139 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cherubini: Medea, Act 3: "Numi, venite a me" (Medea, Neris) | Luigi Cherubini, Maria Callas, Miriam Pirazzini, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | F♯ Major | 0 | 2B | 90 BPM | ||
Dido and Aeneas / Act 1: Overture | Henry Purcell, Academy of Ancient Music, Christopher Hogwood | B Minor | 3 | 10A | 89 BPM | ||
Apollo e Dafne, HWV 122: Aria: Felicissima quest'alma (Most fortunate is this soul) (Dafne) | George Frideric Handel, Roberta Invernizzi, Thomas E. Bauer, La Risonanza, Fabio Bonizzoni | F♯ Major | 1 | 2B | 172 BPM | ||
Miserere in C minor: Misere I | Thomas Hengelbrock | B Minor | 2 | 10A | 94 BPM | ||
Grande Messe des Morts: XXIII. Agnus Dei: Moderato | Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | C Minor | 0 | 5A | 132 BPM | ||
Mass in C Major, Op. 86: I. Kyrie | Ludwig van Beethoven, Kaisa Ranta, Niina Keitel, Topi Lehtipuu, Nicholas Söderlund, Chorus Cathedralis Aboensis, Turku Philharmonic Orchestra, Leif Segerstam | D Major | 1 | 10B | 63 BPM | ||
Requiem in C Minor: Introitus - Kyrie | Antonio Salieri, Lawrence Foster, Orquestra Gulbenkian, Coro Gulbenkian, Adam Zdunikowski, Luis Rodrigues | C Minor | 0 | 5A | 57 BPM | ||
Requiem, Op.48: 1. Introit et Kyrie (Chorus) | Gabriel Fauré, Philharmonia Orchestra, Carlo Maria Giulini, Timothy Farrell, Philharmonia Chorus London, Horst Neumann | B♭ Major | 0 | 6B | 87 BPM | ||
Requiem Mass: I. Introitus: Requiem aeternam | José Maurício Nunes Garcia, Paul Freeman, Helsinki Philharmonic Orchestra | D Minor | 2 | 7A | 82 BPM | ||
Serse, HWV 40, Act I Scene 1: Aria. Ombra mai fu, "Largo" (Serse) | George Frideric Handel, Ann Murray, Ivor Bolton, Christopher Robson, Patricia Bardon, Umberto Chiummo, Yvonne Kenny, Julie Kaufmann, Jan Zinkler, Chor der Bayerischen Staatsoper, Bavarian State Orchestra | F Major | 1 | 7B | 163 BPM |
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