Eric Schmidt, Jonathan Rosenberg made "Kapitel 58.2 & Kapitel 59.1 - Wie Google tickt - How Google Works" available on January 8, 2015. With this song being around four minutes long, at 3:37, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Wie Google tickt - How Google Works by Eric Schmidt, Jonathan Rosenberg. The song's track number on the album is #84 out of 137 tracks. Based on our data, Germany was the country where this track was produced or recorded. Kapitel 58.2 & Kapitel 59.1 - Wie Google tickt - How Google Works is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
Since Kapitel 58.2 & Kapitel 59.1 - Wie Google tickt - How Google Works by Eric Schmidt, Jonathan Rosenberg has a tempo of 84 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Kapitel 58.2 & Kapitel 59.1 - Wie Google tickt - How Google Works being at 84 BPM, the half-time would be 42 BPM with a double-time of 168 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
B Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Messe G-Dur D 167 - Ferdinand Schubert Fassung: Gloria | Franz Schubert, Chor und Orchester von St. Augustin | B♭ Major | 2 | 6B | 130 BPM | ||
Pelleas et Melisande, Op. 80 (arr. C. Koechlin): I. Prelude - Andante molto moderato | Charles Koechlin, Gabriel Fauré, Sarah Wegener, Stuttgart Radio Symphony Orchestra, Heinz Holliger | E Major | 1 | 12B | 94 BPM | ||
The Music Makers, Op. 69: II. We are the music makers (Chorus) | Edward Elgar, Andrew Davis, BBC Symphony Orchestra, BBC Symphony Chorus | B♭ Minor | 0 | 3A | 128 BPM | ||
Strauss, Johann II: Die Fledermaus, Act 1: "Täubchen, das entflattert ist" (Alfred, Adele, Rosalinde) | Johann Strauss II, Plácido Domingo, Eva Lind, Lucia Popp, Das Münchner Rundfunkorchester | G Major | 1 | 9B | 49 BPM | ||
Strauss, R: 4 Lieder, Op. 27: No. 4, Morgen! (Version with Orchestra) | Richard Strauss, Diana Damrau, Christian Thielemann, Munich Philharmonic Orchestra | G Major | 0 | 9B | 178 BPM | ||
Te deum, LWV 55: I. Te Deum | Jean-Baptiste Lully, Stephane Fuget, Les Épopées, Les Pages & Les Chantres du Centre de Musique Baroque de Versailles | B♭ Major | 5 | 6B | 79 BPM | ||
La Cenerentola: Overture (Sinfonia) | Gioachino Rossini, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | A Minor | 1 | 8A | 116 BPM | ||
Kapitel 48.2 - Wie Google tickt - How Google Works | Eric Schmidt, Jonathan Rosenberg | C Minor | 3 | 5A | 80 BPM | ||
Ode for St. Cecilia's Day, HWV 76: Air: Orpheus could lead the savage race | George Frideric Handel, Dorothee Mields, Mark Wilde, Alsfelder Vocal Ensemble, Concerto Polacco, Wolfgang Helbich | A♭ Minor | 0 | 1A | 96 BPM | ||
Chants d'Auvergne, Vol. 1: No. 1. La Pastoura Als Camps (The Shepherdess in the Fields) | Joseph Canteloube, Véronique Gens, Orchestre National de Lille, Jean-Claude Casadesus | C Minor | 1 | 5A | 62 BPM |
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