Jean-Baptiste Lully, Stephane Fuget, Les Épopées, Les Pages & Les Chantres du Centre de Musique Baroque de Versailles made "Te deum, LWV 55: I. Te Deum" available on March 8, 2024. Te deum, LWV 55: I. Te Deum is about six minutes long, preciously at 5:39, making this song fairly long compared to other songs. The track order of this song in Jean-Baptiste Lully, Stephane Fuget, Les Épopées, Les Pages & Les Chantres du Centre de Musique Baroque de Versailles's "Lully: Te Deum" album is number 3 out of 25. Te deum, LWV 55: I. Te Deum is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Te deum, LWV 55: I. Te Deum by Jean-Baptiste Lully, Stephane Fuget, Les Épopées, Les Pages & Les Chantres du Centre de Musique Baroque de Versailles to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bach, CPE: Magnificat in D Minor, Wq. 215: VI. Deposuit potentes | Carl Philipp Emanuel Bach, Geraint Jones, Helen Watts, Wilfred Brown, Geraint Jones Orchestra | F Major | 1 | 7B | 85 BPM | ||
Dido and Aeneas, Z. 626, Act III: With drooping wings | Henry Purcell, La Nuova Musica, David Bates | F♯ Minor | 2 | 11A | 126 BPM | ||
Beatus vir qui timet in F Major: VI. Gloria | Leonardo Leo, Christopher Lowrey, Les Talens Lyriques, Christophe Rousset | E Major | 1 | 12B | 93 BPM | ||
Le Carnaval du Parnasse, Prologue Scene 2: Ariette. Augelletti (Florine) | Jean-Joseph Cassanéa De Mondonville, Les Ambassadeurs ~ La Grande Écurie, Alexis Kossenko, Gwendoline Blondeel | F Minor | 4 | 4A | 141 BPM | ||
Miserere: Symphonie | Jean-Baptiste Lully, Le Concert Spirituel, Herve Niquet | B Minor | 1 | 10A | 166 BPM | ||
Missa in Angustiis "Lord Nelson Mass": II. Gloria | Franz Joseph Haydn, Boston Baroque, Martin Pearlman, Mary Wilson, Abigail Fischer, Keith Jameson, Kevin Deas | F Major | 2 | 7B | 78 BPM | ||
La Giuditta: Part I: Recitative: Nutrice, al fato Assiro cedo Bettulia (Giuditta) | Alessandro Scarlatti, Sophie Landy, Raphael Pichon, Carl Ghazarossian, Ensemble Baroque de Nice, Gilbert Bezzina | B Major | 5 | 1B | 112 BPM | ||
Requiem, Op. 9: V. Pie Jesu | Maurice Duruflé, Katherine Gregory, Myrtille Hetzel, Harrison Cole, Stephen Layton | G Minor | 1 | 6A | 75 BPM | ||
Siroe: "Fra l'orror della tempesta" | Johann Adolf Hasse, Riccardo Minasi, Il Pomo D'oro, Franco Fagioli | D♭ Major | 5 | 3B | 131 BPM | ||
Requiem in C Minor: II. Graduale | Luigi Cherubini, Martin Pearlman, Boston Baroque | G Major | 1 | 9B | 81 BPM |
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