Franz Joseph Haydn, Boston Baroque, Martin Pearlman, Mary Wilson, Abigail Fischer, Keith Jameson, Kevin Deas's 'Missa in Angustiis "Lord Nelson Mass": II. Gloria' came out on January 1, 2013. The duration of Missa in Angustiis "Lord Nelson Mass": II. Gloria is about 3 minutes long, at 3:27. Based on our data, "Missa in Angustiis "Lord Nelson Mass": II. Gloria" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Franz Joseph Haydn, Boston Baroque, Martin Pearlman, Mary Wilson's "Haydn: Lord Nelson Mass" album is number 2 out of 15. On top of that, United Kingdom appears to be the country where this track was created. Missa in Angustiis "Lord Nelson Mass": II. Gloria is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Missa in Angustiis "Lord Nelson Mass": II. Gloria by Franz Joseph Haydn, Boston Baroque, Martin Pearlman, Mary Wilson, Abigail Fischer, Keith Jameson, Kevin Deas to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem in C Minor: II. Graduale | Luigi Cherubini, Martin Pearlman, Boston Baroque | G Major | 1 | 9B | 81 BPM | ||
Der Sommer: "Willkommen jetzt, o dunkler Hain" | Joseph Haydn, René Jacobs, Freiburger Barockorchester, Marlis Petersen | F Major | 0 | 7B | 171 BPM | ||
Gloria in D Major, RV 589: IX. Qui tollis peccata mundi | Antonio Vivaldi, Martin Pearlman, Boston Baroque | B♭ Major | 1 | 6B | 137 BPM | ||
German Mass, D.872: Appendix: The Lord's Prayer | Franz Schubert, Vienna Boys' Choir, Chorus Viennensis, Rudolf Scholz, Wiener Symphoniker, Uwe Christian Harrer | D♭ Major | 3 | 3B | 112 BPM | ||
Missa pro defuncto Archiepiscopo Sigismundo, MH 154: Dies Irae | Michael Haydn, Christian Zacharias, Johanette Zomer, Helena Rasker, Markus Schäfer, Klaus Mertens, Schweizer Kammerchor, Orchestre de Chambre de Lausanne | B♭ Major | 3 | 6B | 111 BPM | ||
The Four Seasons, Violin Concerto in F Major, Op. 8 No. 3, RV 293 "Autumn": I. Allegro. Ballo e canto de' villanelli | Antonio Vivaldi, Christina Day Martinson, Boston Baroque, Martin Pearlman | D♭ Minor | 1 | 12A | 132 BPM | ||
Antiphon (6) | Anonymous , Martin Pearlman, Boston Baroque | G Minor | 0 | 6A | 131 BPM | ||
Spatzenmesse in C-Dur, KV. 220 'Missa - Sanctus' | Ingrid Hofer, Wolfgang Bankl, Michael Gailit, Manfred Equiluz, Chor, Solisten & Orchester von St. Augustin, Brigitta Karwautz | C Major | 1 | 8B | 105 BPM | ||
Missa in angustiis "Nelson Mass", Hob. XXII:11 in D minor: Agnus Dei: Dona nobis pacem | Franz Joseph Haydn, Barbara Hendricks, Marjana Lipovsek, Francisco Araiza, Peter Meven, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Sir Colin Davis | D Major | 2 | 10B | 128 BPM | ||
Mass in D Major, Op. 86, B. 153: I. Kyrie | Antonín Dvořák, Priska Eser-Streit, Barbara Müller, Matthias Rettner, Thomas Hamberger, Harald Feller | D Major | 1 | 10B | 83 BPM |
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