"Gloria in D Major, RV 589: IX. Qui tollis peccata mundi" by Antonio Vivaldi, Martin Pearlman, Boston Baroque was released on January 24, 2006. With Gloria in D Major, RV 589: IX. Qui tollis peccata mundi being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. This song is part of Vivaldi: Gloria in D Major, RV 589 - Bach: Magnificat in D Major, BWV 243 by Martin Pearlman, Boston Baroque. The song's track number on the album is #8 out of 24 tracks. Based on our data, United States was the country where this track was produced or recorded. Based on our statistics, Gloria in D Major, RV 589: IX. Qui tollis peccata mundi's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Gloria in D Major, RV 589: IX. Qui tollis peccata mundi by Antonio Vivaldi, Martin Pearlman, Boston Baroque has a tempo of 137 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Gloria in D Major, RV 589: IX. Qui tollis peccata mundi being at 137 BPM, the half-time would be 68 BPM with a double-time of 274 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 3/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto en fa majeur pour violon, 2 hautbois, basson, 2 cors, cordes et basse continue, RV 569: I. Allegro | Antonio Vivaldi, Louis-Pierre Bergeron, Louis-Philippe Marsolais, Pascale Giguère, Mathieu Lussier, Julia Harguindey, Les Violons du Roy, Kirsten Zander, Marjorie Tremblay | F Major | 2 | 7B | 120 BPM | ||
Phaeton, Prologue - Le retour de l'Âge d'or: Ouverture | Jean-Baptiste Lully, Christophe Rousset, Chœur De Chambre De Namur, Les Talens Lyriques | B♭ Major | 3 | 6B | 128 BPM | ||
13 Pieces, Op. 76: No. 2. Etude | Jean Sibelius, Olli Mustonen | G Major | 1 | 9B | 92 BPM | ||
Concerto for 2 Mandolins, Strings and Continuo in G Major, RV. 532: II. Andante | Antonio Vivaldi, James Tyler, Robin Jeffrey, The English Concert, Trevor Pinnock | D♭ Minor | 0 | 12A | 104 BPM | ||
Sonata in D Minor, K. 32 | Domenico Scarlatti, Lucas Debargue | D Minor | 0 | 7A | 130 BPM | ||
Concerto Grosso in B-Flat Major, Op. 3, No. 1, HWV 312: III. Allegro | George Frideric Handel, Pamela Thorby, Rebecca Austen-Brown, Academy of St. Martin in the Fields, Iona Brown | G Minor | 4 | 6A | 120 BPM | ||
Violin Concerto in E Minor, Op. 64, MWV O 14: 1. Allegro molto appassionato | Felix Mendelssohn, Kyung Wha Chung, Orchestre Symphonique de Montréal, Charles Dutoit | E Minor | 1 | 9A | 101 BPM | ||
Oboe Concerto in A Major (arr. J. Barbirolli): V. Giga | Arcangelo Corelli, Anthony Camden, City of London Sinfonia, Nicholas Ward | F Major | 0 | 7B | 104 BPM | ||
King Arthur, Z. 628, "The British Worthy": Air | Henry Purcell, Nancy Argenta, CBC Vancouver Orchestra, Monica Huggett | D♭ Minor | 0 | 12A | 114 BPM | ||
Concerto a cinque No. 2, Op. 9: I. Allegro e no presto | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | D♭ Minor | 3 | 12A | 169 BPM |
Section: 0.60086989402771
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