Spatzenmesse in C-Dur, KV. 220 'Missa - Sanctus'
Ingrid Hofer, Wolfgang Bankl, Michael Gailit, Manfred Equiluz, Chor, Solisten & Orchester von St. Augustin, Brigitta Karwautz
Spatzenmesse, Orgelsolomesse, Loretomesse
0:58 August 7, 2006
BPM
105
Key
C Major
Camelot
8B

Embed

Share Link

Spatzenmesse in C-Dur, KV. 220 'Missa - Sanctus' - Ingrid Hofer, Wolfgang Bankl, Michael Gailit, Manfred Equiluz, Chor, Solisten & Orchester von St. Augustin, Brigitta Karwautz Information

Acousticness
82%
Danceability
45%
Energy
12%
Instrumentalness
1%
Liveness
14%
Loudness
69%
Speechiness
3%
Valence
42%
Popularity
Loudness
-18.485 dB

Summary

Ingrid Hofer, Wolfgang Bankl, Michael Gailit, Manfred Equiluz, Chor, Solisten & Orchester von St. Augustin, Brigitta Karwautz made "Spatzenmesse in C-Dur, KV. 220 'Missa - Sanctus'" available on August 7, 2006. With Spatzenmesse in C-Dur, KV. 220 'Missa - Sanctus' being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 19 in the song's album "Spatzenmesse, Orgelsolomesse, Loretomesse". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Austria. In terms of popularity, Spatzenmesse in C-Dur, KV. 220 'Missa - Sanctus' is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.

Spatzenmesse in C-Dur, KV. 220 'Missa - Sanctus' BPM

With Spatzenmesse in C-Dur, KV. 220 'Missa - Sanctus' by Ingrid Hofer, Wolfgang Bankl, Michael Gailit, Manfred Equiluz, Chor, Solisten & Orchester von St. Augustin, Brigitta Karwautz having a BPM of 105 with a half-time of 52 BPM and a double-time of 210 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Spatzenmesse in C-Dur, KV. 220 'Missa - Sanctus' Key

This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
4 Gesange, Op. 17: Es tont ein voller Harfenklang by Johannes Brahms, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling4 Gesange, Op. 17: Es tont ein voller HarfenklangJohannes Brahms, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth RillingC Major18B111 BPM
Vespro della Beata Vergine, SV 206: I. Deus in adiutorium by Claudio Monteverdi, Philippe Herreweghe, Collegium Vocale GentVespro della Beata Vergine, SV 206: I. Deus in adiutoriumClaudio Monteverdi, Philippe Herreweghe, Collegium Vocale GentG Minor16A79 BPM
Bach, JS: Christ lag in Todes Banden, BWV 4: No. 2, Chor. Bach, JS: Christ lag in Todes Banden, BWV 4: No. 2, Chor. "Christ lag in Todes Banden"Johann Sebastian Bach, Concentus Musicus Wien, Nikolaus Harnoncourt, Chorus Viennensis, Vienna Boys' ChoirE♭ Minor32A83 BPM
Messiah, HWV 56: Part 2: Surely He hath borne our griefs (Chorus) by Nikolaus HarnoncourtMessiah, HWV 56: Part 2: Surely He hath borne our griefs (Chorus)Nikolaus HarnoncourtG Major39B159 BPM
Tantum ergo in E-Flat Major, D. 962 by Franz Schubert, Barbara Bonney, Dalia Schaechter, Jorge Pita, Andreas Schmidt, Chamber Orchestra of Europe, Claudio Abbado, Chor der Wiener StaatsoperTantum ergo in E-Flat Major, D. 962Franz Schubert, Barbara Bonney, Dalia Schaechter, Jorge Pita, Andreas Schmidt, Chamber Orchestra of Europe, Claudio Abbado, Chor der Wiener StaatsoperB♭ Major16B82 BPM
Missa Tempore Quadragesimae, MH 553: Agnus Dei by Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy VashegyiMissa Tempore Quadragesimae, MH 553: Agnus DeiMichael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy VashegyiG Major19B73 BPM
Vesperae solennes de confessore in C, K.339: 1. Dixit Dominus Domino meo by Wolfgang Amadeus Mozart, Kiri Te Kanawa, Elizabeth Bainbridge, Ryland Davies, Gwynne Howell, John Constable, London Symphony Chorus, London Symphony Orchestra, Sir Colin DavisVesperae solennes de confessore in C, K.339: 1. Dixit Dominus Domino meoWolfgang Amadeus Mozart, Kiri Te Kanawa, Elizabeth Bainbridge, Ryland Davies, Gwynne Howell, John Constable, London Symphony Chorus, London Symphony Orchestra, Sir Colin DavisC Major38B137 BPM
3 extraits de la Messe des Morts: Agnus Dei by Théodore Dubois, Jugendsinfonieorchester de Bonn Chorale Franco-Allemande de Paris, Bernard Lallement, Marie-Noelle Cros, Patrick Garayt, Philippe Desandré, Berthold Wicke3 extraits de la Messe des Morts: Agnus DeiThéodore Dubois, Jugendsinfonieorchester de Bonn Chorale Franco-Allemande de Paris, Bernard Lallement, Marie-Noelle Cros, Patrick Garayt, Philippe Desandré, Berthold WickeC Major28B165 BPM
Requiem in D Minor, K. 626 (Paris 1804 Version): I. Introït by Niccolò Jommelli, Chantal Santon Jeffery, Éléonore Pancrazi, Chœur De Chambre De Namur, Le Concert de la Loge, Julien ChauvinRequiem in D Minor, K. 626 (Paris 1804 Version): I. IntroïtNiccolò Jommelli, Chantal Santon Jeffery, Éléonore Pancrazi, Chœur De Chambre De Namur, Le Concert de la Loge, Julien ChauvinE Minor09A88 BPM
German Mass, D.872: Credo: Hoch lag die Schöpfung formlos da by Franz Schubert, Vienna Boys' Choir, Chorus Viennensis, Rudolf Scholz, Wiener Symphoniker, Uwe Christian HarrerGerman Mass, D.872: Credo: Hoch lag die Schöpfung formlos daFranz Schubert, Vienna Boys' Choir, Chorus Viennensis, Rudolf Scholz, Wiener Symphoniker, Uwe Christian HarrerG Major19B182 BPM
ISRC
ATP138528304
Label
L-M Records/RCA Records

Section: 0.5523982048034668

End: 0.5564866065979004