"German Mass, D.872: Credo: Hoch lag die Schöpfung formlos da" by Franz Schubert, Vienna Boys' Choir, Chorus Viennensis, Rudolf Scholz, Wiener Symphoniker, Uwe Christian Harrer was released on January 1, 1982. The duration of German Mass, D.872: Credo: Hoch lag die Schöpfung formlos da is about 3 minutes long, at 3:26. Based on our data, "German Mass, D.872: Credo: Hoch lag die Schöpfung formlos da" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 15 in the song's album "Schubert: Deutsche Messe, Messe Nr.2". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Netherlands. The popularity of German Mass, D.872: Credo: Hoch lag die Schöpfung formlos da is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With German Mass, D.872: Credo: Hoch lag die Schöpfung formlos da by Franz Schubert, Vienna Boys' Choir, Chorus Viennensis, Rudolf Scholz, Wiener Symphoniker, Uwe Christian Harrer having a BPM of 182 with a half-time of 91 BPM and a double-time of 364 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die sieben Worte Christi am Kreuz für Soli, Chor und Orchester: Pater, dimite illis | César Franck, Chor Der Philharmonie Schwäbisch Gmünd, Edith Wiens, Hubert Beck, Ivo Ingram, Philharmonie Schwäbisch Gmünd, Raimundo Mettre, Thomas Pfeiffer | F Major | 1 | 7B | 75 BPM | ||
3 geistliche Lieder, Op. 36: II. Bleibe, Abend will es werden | Albert Becker, Kammerchor CONSONO, Harald Jers | A Major | 0 | 11B | 77 BPM | ||
Magnificat in B flat major: Magnificat anima mea | Francesco Durante, Thomas Hengelbrock | A Major | 3 | 11B | 126 BPM | ||
Jesu meine Freude, TWV 1:966: VII. Wie binich doch so herzlich froh | Georg Philipp Telemann, Gutenberg Soloists, Neumeyer Consort, Felix Koch | F♯ Major | 1 | 2B | 95 BPM | ||
Der Sommer: "Der munt're Hirt versammelt nun" | Joseph Haydn, René Jacobs, Freiburger Barockorchester, Marlis Petersen, Dietrich Henschel | F Major | 1 | 7B | 78 BPM | ||
Sept paroles du Christ en croix: Parole 4 "Deus meus, ut quid dereliquisti me" | César Franck, Ensemble Vocal de Lausanne, Orchestre de Chambre de Lausanne, Michel Corboz | F Major | 0 | 7B | 75 BPM | ||
Görlitzer Tabulaturbuch: Gelobet seist du, Jesu Christ, SSWV 442a | Samuel Scheidt, Christoph Lehmann | A Major | 0 | 11B | 67 BPM | ||
Messe brève No. 7: III. Sanctus | Charles Gounod, Tobias Gotting, Kammerchor I Vocalisti, Hans-Joachim Lustig | B Major | 4 | 1B | 104 BPM | ||
Einzug des Chores: Laudate omnes gentes | Jacques Berthier, Bach-Chor Siegen, Ulrich Stötzel | A Minor | 2 | 8A | 86 BPM | ||
Messa di Gloria: Quoniam tu solus sanctus | Giacomo Puccini, Gunnar Lundberg, Antonello Palombi, Hungarian Radio Chorus, Hungarian Operetta Orchestra, Pier Giorgio Morandi | F♯ Minor | 0 | 11A | 97 BPM |
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