Die sieben Worte Christi am Kreuz für Soli, Chor und Orchester: Pater, dimite illis
César Franck, Chor Der Philharmonie Schwäbisch Gmünd, Edith Wiens, Hubert Beck, Ivo Ingram, Philharmonie Schwäbisch Gmünd, Raimundo Mettre, Thomas Pfeiffer
César Franck: Die Sieben Worte Christi Am Kreuz (The Seven Words of Christ At the Cross)
5:39 January 1, 1993
BPM
75
Key
F Major
Camelot
7B

Embed

Share Link

Die sieben Worte Christi am Kreuz für Soli, Chor und Orchester: Pater, dimite illis - César Franck, Chor Der Philharmonie Schwäbisch Gmünd, Edith Wiens, Hubert Beck, Ivo Ingram, Philharmonie Schwäbisch Gmünd, Raimundo Mettre, Thomas Pfeiffer Information

Acousticness
98%
Danceability
20%
Energy
10%
Instrumentalness
79%
Liveness
8%
Loudness
62%
Speechiness
4%
Valence
4%
Popularity
Loudness
-22.905 dB

Summary

"Die sieben Worte Christi am Kreuz für Soli, Chor und Orchester: Pater, dimite illis" by César Franck, Chor Der Philharmonie Schwäbisch Gmünd, Edith Wiens, Hubert Beck, Ivo Ingram, Philharmonie Schwäbisch Gmünd, Raimundo Mettre, Thomas Pfeiffer was released on January 1, 1993. Die sieben Worte Christi am Kreuz für Soli, Chor und Orchester: Pater, dimite illis is about six minutes long, preciously at 5:39, making this song fairly long compared to other songs. The song is number 2 out of 8 in César Franck: Die Sieben Worte Christi Am Kreuz (The Seven Words of Christ At the Cross) by César Franck, Philharmonie Schwäbisch Gmünd, Hubert Beck, Chor Der Philharmonie Schwäbisch Gmünd. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Die sieben Worte Christi am Kreuz für Soli, Chor und Orchester: Pater, dimite illis is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Die sieben Worte Christi am Kreuz für Soli, Chor und Orchester: Pater, dimite illis BPM

The tempo marking of Die sieben Worte Christi am Kreuz für Soli, Chor und Orchester: Pater, dimite illis by César Franck, Chor Der Philharmonie Schwäbisch Gmünd, Edith Wiens, Hubert Beck, Ivo Ingram, Philharmonie Schwäbisch Gmünd, Raimundo Mettre, Thomas Pfeiffer is Adagio (slowly with great expression), since this song has a tempo of 75 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Die sieben Worte Christi am Kreuz für Soli, Chor und Orchester: Pater, dimite illis Key

F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo by Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber OrchestraCello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppoCamille Saint-Saëns, Mischa Maisky, Orpheus Chamber OrchestraF Major27B131 BPM
6 Album Leaves, Op. 2, JB 1:51: No. 2 in A Minor, Chanson. Moderato by Bedřich Smetana, Jitka Čechová6 Album Leaves, Op. 2, JB 1:51: No. 2 in A Minor, Chanson. ModeratoBedřich Smetana, Jitka ČechováA Minor08A66 BPM
Elégie in C minor Op. 24 - 1995 Remastered Version by Gabriel Fauré, Jacqueline du PréElégie in C minor Op. 24 - 1995 Remastered VersionGabriel Fauré, Jacqueline du PréA♭ Major04B90 BPM
Nocturne by Alexander Borodin, Julian Lloyd Webber, Royal Philharmonic Orchestra, James JuddNocturneAlexander Borodin, Julian Lloyd Webber, Royal Philharmonic Orchestra, James JuddD Minor17A69 BPM
Tambourin chinois, Op. 3 (Arr. for Violin and Orchestra by McAlister) by Fritz Kreisler, Maxim Vengerov, Shanghai Symphony Orchestra, Long YuTambourin chinois, Op. 3 (Arr. for Violin and Orchestra by McAlister)Fritz Kreisler, Maxim Vengerov, Shanghai Symphony Orchestra, Long YuG Minor16A157 BPM
L'Organiste, FWV 41: No. 13 Andantino poco mosso by César Franck, Carsten WiebuschL'Organiste, FWV 41: No. 13 Andantino poco mossoCésar Franck, Carsten WiebuschF♯ Major02B74 BPM
Cello Concerto No.1, Op.107: 1. Allegretto by Dmitri Shostakovich, Heinrich Schiff, Bavarian Radio Symphony Orchestra, Maxim ShostakovichCello Concerto No.1, Op.107: 1. AllegrettoDmitri Shostakovich, Heinrich Schiff, Bavarian Radio Symphony Orchestra, Maxim ShostakovichG Minor26A126 BPM
24 Preludes For Piano, Op.11: No. 12 In G Sharp Minor by Alexander Scriabin, Yuja Wang24 Preludes For Piano, Op.11: No. 12 In G Sharp MinorAlexander Scriabin, Yuja WangA♭ Minor01A73 BPM
Kinderszenen, Op.15: 12. Kind im Einschlummern by Robert Schumann, Martha ArgerichKinderszenen, Op.15: 12. Kind im EinschlummernRobert Schumann, Martha ArgerichE Minor09A123 BPM
Lyric Pieces, Op.71: VII. Efterklang - Tempo di valse by Edvard Grieg, Javier PerianesLyric Pieces, Op.71: VII. Efterklang - Tempo di valseEdvard Grieg, Javier PerianesB♭ Major06B77 BPM
ISRC
DEE219343202
Label
L-M Records/RCA Records

Section: 0.9041519165039062

End: 0.910353422164917