"Messiah, HWV 56: Part 2: Surely He hath borne our griefs (Chorus)" by Nikolaus Harnoncourt was released on 2005. The duration of Messiah, HWV 56: Part 2: Surely He hath borne our griefs (Chorus) is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. Messiah, HWV 56: Part 2: Surely He hath borne our griefs (Chorus)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Nikolaus Harnoncourt's "Händel: Messiah" album is number 1 out of 47. Based on our statistics, Messiah, HWV 56: Part 2: Surely He hath borne our griefs (Chorus)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Messiah, HWV 56: Part 2: Surely He hath borne our griefs (Chorus) by Nikolaus Harnoncourt to be Vivace (lively and fast) because the track has a tempo of 159 BPM, a half-time of 80BPM, and a double-time of 318 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Messiah, HWV 56: Part 2: Let us break their bonds (Chorus) | Nikolaus Harnoncourt | F♯ Major | 4 | 2B | 120 BPM | ||
Rameau: Nouvelles Suites de Pièces de Clavecin (1727), Suite in G Major, RCT 6: No. 3. Menuet I - Menuet II | Jean-Philippe Rameau, Jean Rondeau | F Major | 3 | 7B | 117 BPM | ||
Concerto Grosso In F Major, Op. 6, No. 9: III. Corrente: Vivace | Arcangelo Corelli, Daniela Ruso, Quido Holbling, Ludovit Kanta, Anna Holbling, Capella Istropolitana | F Major | 2 | 7B | 198 BPM | ||
Messiah, HWV 56: Part 2: He trusted in God (Chorus) | Nikolaus Harnoncourt | B Minor | 3 | 10A | 115 BPM | ||
Sinfonia for Strings in G major, RV 149: III. Allegro | Karoly Botvay | D Major | 1 | 10B | 146 BPM | ||
Suite From Abdelzar: III. Minuet | Henry Purcell, Tafelmusik Baroque Orchestra, Jeanne Lamon | F♯ Major | 2 | 2B | 87 BPM | ||
Oboe Concerto in D Minor, Op. 9, No. 2: I. Allegro e non presto | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | D Minor | 2 | 7A | 145 BPM | ||
The Fairy Queen, Z. 629: Prelude | Henry Purcell, Vox Orchester, Lorenzo Ghirlanda | F♯ Minor | 4 | 11A | 113 BPM | ||
Messiah, HWV 56: Part 2: Thy rebuke hath broken His heart (Accompagnato) | Nikolaus Harnoncourt | D Major | 0 | 10B | 103 BPM | ||
Oboe Concerto in D Minor, Op. 8, No. 9, RV 454: II. Largo | Antonio Vivaldi, Stefan Schilli, Geoffrey Thomas, Judit Kiss-Domonkos, Budapest Failoni Chamber Orchestra, Béla Nagy | C Major | 2 | 8B | 125 BPM |
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