Nikolaus Harnoncourt made "Messiah, HWV 56: Part 2: He trusted in God (Chorus)" available on 2005. The duration of Messiah, HWV 56: Part 2: He trusted in God (Chorus) is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. Messiah, HWV 56: Part 2: He trusted in God (Chorus)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Nikolaus Harnoncourt's "Händel: Messiah" album is number 5 out of 47. In terms of popularity, Messiah, HWV 56: Part 2: He trusted in God (Chorus) is currently not that popular. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Messiah, HWV 56: Part 2: He trusted in God (Chorus) by Nikolaus Harnoncourt to be Moderato (at a moderate speed) because the track has a tempo of 115 BPM, a half-time of 58BPM, and a double-time of 230 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gloria in D, RV 589: II. Et in terra pax hominibus | Antonio Vivaldi, Choir of King's College, Cambridge, Stephen Cleobury, Academy of Ancient Music | B♭ Minor | 2 | 3A | 130 BPM | ||
Violin Concerto in D Major, Op. 77: II. Adagio | Johannes Brahms, Hilary Hahn, Sir Neville Marriner, Academy of St. Martin in the Fields | C Major | 1 | 8B | 59 BPM | ||
Viola Concerto in C Minor: II. Adagio molto espressivo | Johann Christian Bach, Henri Casadesus, Nemanja Radulović, Double Sens | A♭ Major | 2 | 4B | 133 BPM | ||
Trio Sonata No. 4 in C Major, DürG 13 (Attrib. J.S. Bach as BWV 1037): I. Adagio | Johann Gottlieb Goldberg, London Baroque | D Major | 0 | 10B | 87 BPM | ||
Messiah, HWV 56: Part 2: The Lord gave the word (Chorus) | Nikolaus Harnoncourt | A Major | 5 | 11B | 90 BPM | ||
Boccherini: Cello Concerto No. 7 in G Major, G. 480: I. Allegro | Luigi Boccherini, Steven Isserlis, Ostrobothnian Chamber Orchestra, Juha Kangas | F Major | 5 | 7B | 107 BPM | ||
La capricieuse, Op. 17 | Edward Elgar, Ruggiero Ricci, Ernest Lush | E Minor | 3 | 9A | 92 BPM | ||
Die Schöpfung (The Creation), Hob. XXI:2: Part I: In vollem Glanze steigt jetzt die Sonne strahlend auf (Rec.) | Franz Joseph Haydn, Nikolaus Harnoncourt | D Major | 0 | 10B | 89 BPM | ||
Symphony in B Minor, Wq. 182, No. 5: III. Presto | Carl Philipp Emanuel Bach, Orchestra of the Age of Enlightenment, Rebecca Miller | D♭ Major | 2 | 3B | 93 BPM | ||
Missa Solemnis in D Major, Op. 123: II. Gloria: Gloria | Ludwig van Beethoven, Nikolaus Harnoncourt, Concentus Musicus Wien | D Minor | 2 | 7A | 136 BPM |
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