"Campra: Exaudiat te Dominus (Psalm 19), grand motet: No. 5, Duo "Impleat Dominus" (Haute-contre 2, Taille)" by André Campra, Jaël Azzaretti, William Christie was released on 2003. The duration of Campra: Exaudiat te Dominus (Psalm 19), grand motet: No. 5, Duo "Impleat Dominus" (Haute-contre 2, Taille) is about 3 minutes long, at 3:21. Based on our data, "Campra: Exaudiat te Dominus (Psalm 19), grand motet: No. 5, Duo "Impleat Dominus" (Haute-contre 2, Taille)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 22 out of 27 in Campra: Grand Motets by André Campra, William Christie, Les Arts Florissants. Campra: Exaudiat te Dominus (Psalm 19), grand motet: No. 5, Duo "Impleat Dominus" (Haute-contre 2, Taille) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Campra: Exaudiat te Dominus (Psalm 19), grand motet: No. 5, Duo "Impleat Dominus" (Haute-contre 2, Taille) by André Campra, Jaël Azzaretti, William Christie is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Amphitryon, Z. 572, "The 2 Sosias": VI. Minuet | Henry Purcell, Andrea Jeffrey, Michelle Kettrick, Nicole Bower, Giles Tomkins, Aradia Ensemble, Kevin Mallon | D♭ Minor | 1 | 12A | 85 BPM | ||
Bembo: Habbi pietà di me | Antonia Bembo, Christina Pluhar, L'Arpeggiata, Céline Scheen | E Minor | 1 | 9A | 70 BPM | ||
Missa Divi Xaverii, ZWV 12: Gloria in excelsis Deo | Jan Dismas Zelenka, Collegium Vocale 1704, Collegium 1704, Vaclav Luks | F Minor | 1 | 4A | 125 BPM | ||
Then Svenska Messan, HRV 404: Ära vare Gud i högden | Johan Helmich Roman, Göteborg Baroque, Anna Jobrant, Karl Peter Eriksson, Magnus Kjellson | B♭ Minor | 1 | 3A | 79 BPM | ||
Buxtehude: Mein Gemüt erfreuet sich, BuxWV 72 | Dietrich Buxtehude, Ton Koopman, Barbara Schlick, Michael Chance, Peter Kooij, Hannover Knabenchor, Amsterdam Baroque Orchestra | B Major | 1 | 1B | 87 BPM | ||
Médée, H. 491, Act I: Trio et chœur. "Que d'épais bataillons" (I) | Marc-Antoine Charpentier, Le Concert Spirituel, Herve Niquet, David Tricou, Fabien Hyon, Adrien Fournaison | G Minor | 3 | 6A | 64 BPM | ||
Caeli enarrant gloriam | André Campra, Romain Bockler, Syntagma Amici, Jérémie Papasergio, Elsa Frank | A Major | 2 | 11B | 127 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 2: Ballo d'eroi ed eroine negli Elisi | Christoph Willibald Gluck, Stefan Plewniak, Il Giardino d'Amore | D♭ Major | 3 | 3B | 129 BPM | ||
When Saul was king: IV. All the night she weepeth sore | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Helen Charlston, Academy of Ancient Music | E Minor | 0 | 9A | 111 BPM | ||
Concerts royaux, Concerto No. 2 in D Major: I. Prélude | François Couperin, Emanuel Abbühl, David Tomàs, Carla Sanfelix, Miklós Spányi, Benoît Fallai | F Minor | 0 | 4A | 101 BPM |
Section: 0.5970845222473145
End: 0.6027476787567139