"Caeli enarrant gloriam" by André Campra, Romain Bockler, Syntagma Amici, Jérémie Papasergio, Elsa Frank was released on February 16, 2024. Since Caeli enarrant gloriam is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Syntagma Amici, Jérémie Papasergio, Elsa Frank's "Les Hautbois à la Chambre du Roi" album is number 5 out of 27. On top of that, Belgium appears to be the country where this track was created. Based on our statistics, Caeli enarrant gloriam's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Caeli enarrant gloriam by André Campra, Romain Bockler, Syntagma Amici, Jérémie Papasergio, Elsa Frank to be Allegro (fast, quick, and bright) because the track has a tempo of 127 BPM, a half-time of 64BPM, and a double-time of 254 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Messe de requiem: Kyrie | André Campra, Robert Getchell, Marc Labonnette, Les Pages et Les Chantres, Orchestre des musiques anciennes et à venir, Olivier Schneebeli | F Minor | 1 | 4A | 167 BPM | ||
Confitebor tibi I | Claudio Monteverdi, Krijn Koetsveld, Le Nuove Músiche | G Major | 3 | 9B | 75 BPM | ||
La flora: Trombe d'Ausonia | Marc'Antonio Ziani, Maria Keohane, Niklas Eklund, Wasa Baroque Ensemble, Edward H. Tarr | A Major | 3 | 11B | 123 BPM | ||
Purcell: The Fairy Queen, Z. 629, Act IV: Song. "Thus the Ever Grateful Spring" | Henry Purcell, Amsterdam Baroque Orchestra, Ton Koopman, Francine van der Heijden | B Minor | 0 | 10A | 78 BPM | ||
La Giuditta: Part I: Aria: A che giova d'un solo l'ardire (Nutrice) | Alessandro Scarlatti, Sophie Landy, Raphael Pichon, Carl Ghazarossian, Ensemble Baroque de Nice, Gilbert Bezzina | B Major | 5 | 1B | 112 BPM | ||
Motetto de S. Joanne Baptista: III. Coro. Alleluia | František Tůma, Andreas Scholl, Czech Ensemble Baroque, Roman Válek | B Major | 2 | 1B | 83 BPM | ||
Neubrandenburg Concerto No. 1: II. Aria (Transcr. By Harer, after Bach's Aria variata alla maniera italiana BWV 989) | Johann Sebastian Bach, Christoph Harer, La Festa Musicale | F♯ Minor | 0 | 11A | 89 BPM | ||
Overture in D Major, TWV 55:D21: Overture in D Major, TWV 55:D21: I. Ouverture | Georg Philipp Telemann, Akademie für Alte Musik Berlin, Bernhard Forck | B Major | 1 | 1B | 109 BPM | ||
Maddalena ai piedi di Cristo: No. 15 Recitativo Marta, Maddalena "Germana, al ciel, deh, volgi" | Antonio Caldara, René Jacobs, Schola Cantorum Basiliensis, Chiara Banchini, Maria Cristina Kiehr | A♭ Major | 1 | 4B | 0 BPM | ||
Ariette "D'amor per te languisco", H. 767, Wq. 213 | Carl Philipp Emanuel Bach, Chantal Santon Jeffery, Jean Brégnac, Nicolas Bouils, Jennifer Hardy, Yoann Moulin | B♭ Minor | 3 | 3A | 69 BPM |
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