"Maddalena ai piedi di Cristo: No. 15 Recitativo Marta, Maddalena "Germana, al ciel, deh, volgi"" by Antonio Caldara, René Jacobs, Schola Cantorum Basiliensis, Chiara Banchini, Maria Cristina Kiehr was released on 1996. With Maddalena ai piedi di Cristo: No. 15 Recitativo Marta, Maddalena "Germana, al ciel, deh, volgi" being less than two minutes long, at 1:58, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 15 out of 59 in Caldara: Maddalena ai piedi di Cristo by Antonio Caldara, René Jacobs. Maddalena ai piedi di Cristo: No. 15 Recitativo Marta, Maddalena "Germana, al ciel, deh, volgi" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Maddalena ai piedi di Cristo: No. 15 Recitativo Marta, Maddalena "Germana, al ciel, deh, volgi" by Antonio Caldara, René Jacobs, Schola Cantorum Basiliensis, Chiara Banchini, Maria Cristina Kiehr is Larghissimo, since this song has a tempo of 0 BPM. With that information, we can conclude that the song has a slow tempo.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Der Sommer: "Welche Labung für die Sinne | Joseph Haydn, René Jacobs, Freiburger Barockorchester, Marlis Petersen | F Major | 0 | 7B | 80 BPM | ||
Maddalena ai piedi di Cristo: No. 23 Recitativo Marta "Dell'anima tua grande" | Antonio Caldara, René Jacobs, Schola Cantorum Basiliensis, Chiara Banchini | F♯ Minor | 1 | 11A | 114 BPM | ||
Couperin, F: Troisième leçon de ténèbres pour le Mercredi saint: I. Yod | François Couperin, William Christie, Patricia Petibon, Sophie Daneman, Les Arts Florissants | C Minor | 0 | 5A | 76 BPM | ||
Brockes-Passion, TWV 5:1, II. Teil: 106. Terzett: Drei gläubige Seelen. "O Donnerwort! O schrecklich Schreien!" | Georg Philipp Telemann, Brigitte Christensen, Lydia Teuscher, René Jacobs, Marie-Claude Chappuis, Akademie für Alte Musik Berlin | E Minor | 3 | 9A | 138 BPM | ||
La Clemenza di Tito: Atto secondo, scena V. Recitativo Publio, Tito "Già de' pubblici giuochi" | Wolfgang Amadeus Mozart, Freiburger Barockorchester, Mark Padmore, Sergio Foresti, René Jacobs | F Major | 2 | 7B | 123 BPM | ||
Purcell : King Arthur : Act 2 "Shepherd, shepherd, leave decoying" [Sopranos] | William Christie | F Minor | 1 | 4A | 94 BPM | ||
Griselda, Op. 114, Atto Secondo, Scena 1: Aria. Mi rivedi, o selva ombrosa (Griselda) | Alessandro Scarlatti, Dorothea Röschmann, Akademie für Alte Musik Berlin, René Jacobs | F♯ Major | 1 | 2B | 92 BPM | ||
Vespro della Beata Vergine, SV 206: Concerto "Pulchra es" | Claudio Monteverdi, Raphael Pichon, Ensemble Pygmalion, Céline Scheen, Perrine Devillers | G Major | 2 | 9B | 84 BPM | ||
Sinfonia No. 10 in E Minor (arrangement of oratorio sinfonia Gioseffo, che interpreta i sogni): Gioseffo che interpreta i sogni: Introduzione, "Sinfonia No. 10 in E Minor" | Antonio Caldara, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Maddalena ai piedi di Cristo: No. 33 Aria Maddalena "Chi con sua cetra" | Antonio Caldara, René Jacobs, Schola Cantorum Basiliensis, Chiara Banchini, Maria Cristina Kiehr | E♭ Major | 1 | 5B | 73 BPM |
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