"Der Sommer: "Welche Labung für die Sinne" by Joseph Haydn, René Jacobs, Freiburger Barockorchester, Marlis Petersen was released on 2004. With this song being around four minutes long, at 3:51, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Joseph Haydn, René Jacobs, Freiburger Barockorchester's "Haydn: Die Jahreszeiten" album is number 17 out of 44. On top of that, France appears to be the country where this track was created. Der Sommer: "Welche Labung für die Sinne is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Der Sommer: "Welche Labung für die Sinne by Joseph Haydn, René Jacobs, Freiburger Barockorchester, Marlis Petersen to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Der Sommer: "Im grauen Schleier rückt heran" | Joseph Haydn, René Jacobs, Freiburger Barockorchester, Dietrich Henschel | B♭ Minor | 2 | 3A | 82 BPM | ||
The Pirates of Penzance: How Beautifully Blue the Sky | Patricia Cameron, Pauline Birchall | C Major | 1 | 8B | 59 BPM | ||
Haydn: The Creation, Hob. XXI:2, Pt. 2: No. 26, Chor. "Vollendet ist das große Werk" - No. 27, Terzett. "Zu dir, o Herr, blickt alles auf" & No. 28, Chor. "Vollendet ist das große Werk" (Chorus, Gabriel, Uriel, Raphael) | Joseph Haydn, William Christie, Choeur des Arts Florissants, Dietrich Henschel, Genia Kühmeier, Toby Spence, Les Arts Florissants | B♭ Major | 4 | 6B | 116 BPM | ||
Elijah, Op. 70, MWV A25 / Part 2: "But the Lord from the north hath raised one" | Felix Mendelssohn, Edinburgh Festival Chorus, Stephen Doughty, Orchestra of the Age of Enlightenment, Paul Daniel | G Major | 1 | 9B | 145 BPM | ||
Stabat Mater, P. 77: 4. Quae moerebat et dolebat | Giovanni Battista Pergolesi, Cecilia Bartoli, Sinfonietta de Montréal, Charles Dutoit | C Minor | 1 | 5A | 82 BPM | ||
Semele, HWV 58 / Act 1: Ah! Ne! - O Jove! | George Frideric Handel, Kathleen Battle, English Chamber Orchestra, John Nelson | C Minor | 0 | 5A | 96 BPM | ||
Haydn: The Creation, Hob. XXI:2, Pt. 3: No. 30b, Duet with Chorus. "Of Stars the Fairest" (Eve, Adam, Chorus) | Joseph Haydn, Arleen Augér/David Thomas/CBSO Chorus/City of Birmingham Symphony Orchestra/Sir Simon Rattle, Arleen Auger, City of Birmingham Symphony Chorus, David Thomas, Sir Simon Rattle, City Of Birmingham Symphony Orchestra | A Major | 1 | 11B | 133 BPM | ||
Die Schöpfung, Hob. XXI:2, Dritter Teil: VI. Schlußchor "Singt dem Herren alle Stimmen!" | Joseph Haydn, Orchestre des Champs-Élysées, Philippe Herreweghe | D♭ Minor | 1 | 12A | 86 BPM | ||
Flute Trio No. 1 in C Major, Hob. IV:1: III. Finale. Vivace | Unknown, Franz Joseph Haydn, Jean-Pierre Rampal | C Major | 2 | 8B | 151 BPM | ||
Das listige Bauernmädchen: No. 14, Tempo di marcia | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | D Major | 1 | 10B | 92 BPM |
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