François Couperin, William Christie, Patricia Petibon, Sophie Daneman, Les Arts Florissants's 'Couperin, F: Troisième leçon de ténèbres pour le Mercredi saint: I. Yod' came out on January 1, 1997. With Couperin, F: Troisième leçon de ténèbres pour le Mercredi saint: I. Yod being less than two minutes long, at 1:39, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 13 out of 22 in Couperin : Leçons de Ténèbres by François Couperin, William Christie, Les Arts Florissants. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Couperin, F: Troisième leçon de ténèbres pour le Mercredi saint: I. Yod is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Couperin, F: Troisième leçon de ténèbres pour le Mercredi saint: I. Yod by François Couperin, William Christie, Patricia Petibon, Sophie Daneman, Les Arts Florissants is Adagio (slowly with great expression), since this song has a tempo of 76 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Amarilli mia bella | Giulio Caccini, Andreas Scholl, Edin Karamazov | E Major | 0 | 12B | 91 BPM | ||
King Arthur: Act V, sc. 2 : Fairest Isle | Henry Purcell, Alfred Deller, Wieland Kuijken, William Christie | B Major | 1 | 1B | 86 BPM | ||
Gottes Zeit ist die allerbeste Zeit, BWV 106 "Actus tragicus": I. Sonatina | Johann Sebastian Bach, Paul Agnew, Les Arts Florissants | E Major | 1 | 12B | 112 BPM | ||
Mondonville : Dominus regnavit : II | Jean-Joseph Cassanéa De Mondonville, William Christie, Les Arts Florissants | C Minor | 1 | 5A | 81 BPM | ||
The Masque Of Hymen: The Last Act - Solo (Cupid): The Joys Of Wedlock | The Scholars Baroque Ensemble, Henry Purcell | F♯ Minor | 0 | 11A | 169 BPM | ||
Gesu al Calvario, ZWV 62: Recitative: O figlie di Sione (Maria Vergine) | Jan Dismas Zelenka, David Cordier, Ingrid Schmithusen, Larissa Malikowa, Lena Susanne Norin, Kai Wessel, Rheinische Kantorei, Kleine Konzert, Das, Hermann Max | B Minor | 2 | 10A | 98 BPM | ||
Purcell : King Arthur : Act 5 "Our natives not alone appear" [Chorus] | William Christie | F Major | 2 | 7B | 73 BPM | ||
Dido and Aeneas, Z. 626: Act II: Chorus: In our deep vaulted cell | Henry Purcell, Kym Amps, David van Asch, Anna Crookes, The Scholars Baroque Ensemble | E Major | 1 | 12B | 138 BPM | ||
Nach dir, Herr, verlanget mich, BWV 150: VI. Coro "Meine Augen sehen stets" | Johann Sebastian Bach, Paul Agnew, Les Arts Florissants | E Major | 4 | 12B | 101 BPM | ||
Purcell : Dido & Aeneas : Act I "Grief increases by concealing" [Belinda, Dido] "When monarchs unite, how happy their state" [Chorus] | Henry Purcell, William Christie, Les Arts Florissants | F♯ Minor | 2 | 11A | 74 BPM |
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