On 1995, the song "Purcell : King Arthur : Act 5 "Our natives not alone appear" [Chorus]" was released by William Christie. With Purcell : King Arthur : Act 5 "Our natives not alone appear" [Chorus] being less than two minutes long, at 1:05, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 41 in the song's album "Purcell : King Arthur". In this album, this song's track order is #40. Purcell : King Arthur : Act 5 "Our natives not alone appear" [Chorus] is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Purcell : King Arthur : Act 5 "Our natives not alone appear" [Chorus] by William Christie having a BPM of 73 with a half-time of 36 BPM and a double-time of 146 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
The music key of this track is F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto in G Minor - Oboe, Strings & B.C., Seibel 237: Allegro (2) | Johann David Heinichen, Il Fondamento, Paul Dombrecht | C Major | 1 | 8B | 89 BPM | ||
Magnificat in B flat major: Magnificat anima mea | Francesco Durante, Thomas Hengelbrock | A Major | 3 | 11B | 126 BPM | ||
Stabat Mater: 7. Eia Mater | Giovanni Battista Pergolesi, James Bowman, Academy of Ancient Music, Christopher Hogwood | E Minor | 0 | 9A | 125 BPM | ||
Christ lag in Todes Banden, BWV 4: Aria. Jesu Christus, Gottes Sohn (Tenor) | Johann Sebastian Bach, Koki Katano, Bach Collegium Japan, Masaaki Suzuki | F Minor | 2 | 4A | 95 BPM | ||
"Where The Bee Sucks" | Thomas Arne, Emma Kirkby, Academy of Ancient Music, Christopher Hogwood | F♯ Major | 0 | 2B | 68 BPM | ||
Dido and Aeneas, Z. 626: Act I: Belinda, Aeneas, Dido: See, your Royal guest appears | Henry Purcell, Kym Amps, David van Asch, Anna Crookes, The Scholars Baroque Ensemble | F♯ Major | 1 | 2B | 113 BPM | ||
Rameau : Zoroastre : Act 1 "Et nos dieux et le peuple" [Zopire] | Jean-Philippe Rameau, William Christie, Les Arts Florissants | F Major | 1 | 7B | 84 BPM | ||
Stabat Mater, RV 621: VIII. Fac ut ardeat | Antonio Vivaldi, Andreas Scholl, Ensemble 415, Chiara Banchini | E Minor | 1 | 9A | 66 BPM | ||
Euridice, Prologo - La Tragedia: Io che d'alti sospir | Jacopo Peri, Ensemble Albalonga, Aníbal E. Cetrangolo, Sylva Pozzer | F Major | 0 | 7B | 98 BPM | ||
Salve Regina, R.616 (Antiphona): 1. "Salve Regina" (Andante) | Antonio Vivaldi, Andreas Scholl, Australian Brandenburg Orchestra, Paul Dyer | B Minor | 0 | 10A | 111 BPM |
Section: 0.6268038749694824
End: 0.6307168006896973