"Gottes Zeit ist die allerbeste Zeit, BWV 106 "Actus tragicus": I. Sonatina" by Johann Sebastian Bach, Paul Agnew, Les Arts Florissants was released on April 5, 2024. The duration of Gottes Zeit ist die allerbeste Zeit, BWV 106 "Actus tragicus": I. Sonatina is about two minutes long, specifically at 2:32. This song does not appear to have any foul language. Gottes Zeit ist die allerbeste Zeit, BWV 106 "Actus tragicus": I. Sonatina's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Les Arts Florissants, Benjamin Alard's "J. S. Bach: A Life in Music (Vol. 1). Arnstadt & Mühlhausen (1703-1708), Early Cantatas" album is number 29 out of 36. On top of that, France appears to be the country where this track was created. In terms of popularity, Gottes Zeit ist die allerbeste Zeit, BWV 106 "Actus tragicus": I. Sonatina is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Gottes Zeit ist die allerbeste Zeit, BWV 106 "Actus tragicus": I. Sonatina by Johann Sebastian Bach, Paul Agnew, Les Arts Florissants to be Moderato (at a moderate speed) because the track has a tempo of 112 BPM, a half-time of 56BPM, and a double-time of 224 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il Prigionier Superbo: II. 02 Largo | Giovanni Battista Pergolesi, Boston Early Music Festival Chamber Ensemble, Paul O'Dette, Stephen Stubbs, Robert Mealy | F♯ Major | 3 | 2B | 101 BPM | ||
Flute Concerto in F, RV 18 2 (Largo) | Vivaldi, Vivaldi Orchestra | F Major | 1 | 7B | 86 BPM | ||
12 Concerti grossi After Corelli, No. 4 in F Major, H. 135: V. Allegro | Francesco Geminiani, Boston Baroque, Martin Pearlman | D♭ Minor | 1 | 12A | 132 BPM | ||
Viola da Gamba Concerto in A Major: I. A tempo guisto | Johann Pfeiffer, Siegfried Pank, Stephan Mai, Dorte Wetzel, Christine Schornsheim, Akademie für Alte Musik Berlin | E♭ Major | 0 | 5B | 97 BPM | ||
12 Concerti da Chiesa, Op. 2 No.4: I. Allegro moderato | Evaristo Felice Dall'Abaco, Orchestre De Chambre De Toulouse, Gilles Colliard | E Major | 4 | 12B | 108 BPM | ||
Bassoon Concerto in D Minor, RV 481: III. Allegro Molto | Antonio Vivaldi, Sophie Dervaux, La Folia Barockorchester | A Minor | 0 | 8A | 100 BPM | ||
Les Indes galantes, Deuxième Entrée, Scène 5: Prélude pour l'adoration du Soleil | Jean-Philippe Rameau, Les Arts Florissants, William Christie | A♭ Major | 0 | 4B | 64 BPM | ||
Sinfonia Nо. 3 in fa minore (La morte d'Abel): II. Larghetto | Antonio Caldara, Claudio Ferrarini, Accademia Farnese | A Minor | 1 | 8A | 96 BPM | ||
Trio Sonata in B Minor, Op. 3, No. 3: III. Lentement et Doux | Louis-Antoine Dornel, Lucile Boulanger, Simon Pierre, Olivier Fortin | B♭ Minor | 3 | 3A | 94 BPM | ||
Sonata in A Minor, QV 2:41a/b: IV. Allegro | Johann Joachim Quantz, Ensemble Zefiro, Alfredo Bernardini | F♯ Minor | 3 | 11A | 105 BPM |
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