"Les Indes galantes, Deuxième Entrée, Scène 5: Prélude pour l'adoration du Soleil" by Jean-Philippe Rameau, Les Arts Florissants, William Christie was released on October 14, 1991. With Les Indes galantes, Deuxième Entrée, Scène 5: Prélude pour l'adoration du Soleil being less than two minutes long, at 1:29, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 59 in the song's album "Rameau: Les Indes galantes". In this album, this song's track order is #5. Les Indes galantes, Deuxième Entrée, Scène 5: Prélude pour l'adoration du Soleil is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Les Indes galantes, Deuxième Entrée, Scène 5: Prélude pour l'adoration du Soleil by Jean-Philippe Rameau, Les Arts Florissants, William Christie having a BPM of 64 with a half-time of 32 BPM and a double-time of 128 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Schwanenlied | Fanny Mendelssohn, Eva Oertle, Consuelo Giulianelli | G Minor | 1 | 6A | 143 BPM | ||
Le Tic-Toc-Choc | François Couperin, Sarah O'Brien | A Major | 1 | 11B | 87 BPM | ||
Quatrième concert: II. L'indiscrète | Jean-Philippe Rameau, Víkingur Ólafsson | B♭ Major | 3 | 6B | 107 BPM | ||
Mazurka in C Major | Mikhail Glinka, Inga Fiolia | A Minor | 0 | 8A | 69 BPM | ||
Lieder ohne Worte, Op. 19: No. 6 in G Minor (Andante sostenuto) "Venetian Gondola Song", MWV U78 | Felix Mendelssohn, Jan Lisiecki | G Minor | 0 | 6A | 168 BPM | ||
Dardanus / Prologue: Air pour les Plaisirs (Très vif) | Jean-Philippe Rameau, Les Musiciens du Louvre, Marc Minkowski | D Major | 2 | 10B | 125 BPM | ||
Piano Concerto No. 5 in E-Flat Major, Op. 73: II. Adagio un poco mosso | Ludwig van Beethoven, Berliner Philharmoniker, Sir Simon Rattle, Mitsuko Uchida | B Major | 0 | 1B | 81 BPM | ||
Keyboard Concerto in G Major, Wq. 44: II. Andantino | Carl Philipp Emanuel Bach, Michael Rische, Kammersymphonie Leipzig | E Minor | 0 | 9A | 87 BPM | ||
La Petite Pince-Sans-Rire: 21ème ordre, 4ème livre | François Couperin, Iddo Bar-Shaï | E Minor | 0 | 9A | 76 BPM | ||
Concerto a cinque No. 2, Op. 9: I. Allegro e no presto | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | D♭ Minor | 3 | 12A | 169 BPM |
Section: 0.7003095149993896
End: 0.7053043842315674